On Track
5 total works
UFO, the legendary band which have been gracing the world’s stages for the last 50 years, have given us more than their fair share of superb quality hard rock songs including ‘Doctor, Doctor’, ‘Rock Bottom’, ‘Shoot Shoot’, ‘Too Hot To Handle’, and ‘Only You Can Rock Me’. And that was just during the Seventies!
Albums such as ‘Force It’, ‘Obsession’, ‘The Wild, The Willing, And The Innocent’, ‘Walk On Water’ and ‘You Are Here’ are acknowledged as classics of the melodic hard rock genre, and their live masterpiece ‘Strangers In The Night’ regularly features at or near the top of rock music polls.
UFO’s history can be delineated by the guitarists who have passed through their ranks. From the early ‘Space Rock’ stumblings, their astonishing development with the brilliant, mercurial Michael Schenker, the consolidation and first downfall during Paul Chapman’s tenure, subsequent re-launches and crash-landings, a troubled reformation of the Schenker line-up, and the final mostly settled version with Vinnie Moore, this book explores each of the band’s 23 studio albums, and, of course, ‘Strangers’.
Every song is analysed in detail and opinions are numerous in this passionate critique of one of Britain’s best loved and most influential rock institutions
Albums such as ‘Force It’, ‘Obsession’, ‘The Wild, The Willing, And The Innocent’, ‘Walk On Water’ and ‘You Are Here’ are acknowledged as classics of the melodic hard rock genre, and their live masterpiece ‘Strangers In The Night’ regularly features at or near the top of rock music polls.
UFO’s history can be delineated by the guitarists who have passed through their ranks. From the early ‘Space Rock’ stumblings, their astonishing development with the brilliant, mercurial Michael Schenker, the consolidation and first downfall during Paul Chapman’s tenure, subsequent re-launches and crash-landings, a troubled reformation of the Schenker line-up, and the final mostly settled version with Vinnie Moore, this book explores each of the band’s 23 studio albums, and, of course, ‘Strangers’.
Every song is analysed in detail and opinions are numerous in this passionate critique of one of Britain’s best loved and most influential rock institutions
"At the Hollywood Bowl, California on 25 September 2017 the final song of the final concert of the Tom Petty & The Heartbreakers 40th Anniversary tour was, almost inevitably, 'American Girl', the classic from the bands 1976 debut album. Seven days later Thomas Earl Petty was dead.
When Petty died, we lost one of the great singer-songwriters of our era. His songs touch people of all ages and possess a timeless quality which will ensure they will live on for years to come. Petty's music speaks of freedom and rebellion, of doing what you want to do, of not compromising your integrity, and, fundamentally, of speaking the truth. Tom Petty & The Heartbreakers evolved from a fledgling rock'n'roll band from Gainesville, Florida into becoming an American music institution, being incorporated into the Hollywood Rock 'n' Roll Hall Of Fame in March 2002.
Most people have heard the big hits; 'Freefallin', 'Refugee', et al. But there is so much more to enjoy in Petty's extensive back catalogue. This retrospective delves into every aspect of Petty's 40-year recording career album by album and song by song to uncover the extraordinary consistency and quality of this much missed musician.
When Petty died, we lost one of the great singer-songwriters of our era. His songs touch people of all ages and possess a timeless quality which will ensure they will live on for years to come. Petty's music speaks of freedom and rebellion, of doing what you want to do, of not compromising your integrity, and, fundamentally, of speaking the truth. Tom Petty & The Heartbreakers evolved from a fledgling rock'n'roll band from Gainesville, Florida into becoming an American music institution, being incorporated into the Hollywood Rock 'n' Roll Hall Of Fame in March 2002.
Most people have heard the big hits; 'Freefallin', 'Refugee', et al. But there is so much more to enjoy in Petty's extensive back catalogue. This retrospective delves into every aspect of Petty's 40-year recording career album by album and song by song to uncover the extraordinary consistency and quality of this much missed musician.
Status Quo? All their songs sound the same and they only know three chords' Really?
This retrospective of one of Britain's most successful bands takes this lazy criticism and puts it to the sword. Spanning the period 1970 to 1984, the creative peaks and troughs of all the songs recorded by 'The Frantic Four' are examined in detail by a fan who can play guitar a bit, and also knows his Bach from his byte.
Francis Rossi, Rick Parfitt, Alan Lancaster, and John Coghlan withstood the slings and arrows of unending criticism to become a national institution, even playing to Royalty along the way. After their early, psychedelic-influenced and fleeting pop success, Quo underwent a dramatic and natural re-invention, unleashing a series of innovative albums and hit singles, such as 'Down Down' and 'Rockin' All Over The World' that established their unique sound and style.
Relentless touring, changes in musical direction, unwise choices of producer, substantial substance abuse, and personality clashes, all played their part in the collapse of the classic line-up before a brand re-launch in 1986 that enjoys continued success to the present day.
Status Quo - The Frantic Four Years on track examines the band's groundbreaking first era with critical detail and honest opinions.
This retrospective of one of Britain's most successful bands takes this lazy criticism and puts it to the sword. Spanning the period 1970 to 1984, the creative peaks and troughs of all the songs recorded by 'The Frantic Four' are examined in detail by a fan who can play guitar a bit, and also knows his Bach from his byte.
Francis Rossi, Rick Parfitt, Alan Lancaster, and John Coghlan withstood the slings and arrows of unending criticism to become a national institution, even playing to Royalty along the way. After their early, psychedelic-influenced and fleeting pop success, Quo underwent a dramatic and natural re-invention, unleashing a series of innovative albums and hit singles, such as 'Down Down' and 'Rockin' All Over The World' that established their unique sound and style.
Relentless touring, changes in musical direction, unwise choices of producer, substantial substance abuse, and personality clashes, all played their part in the collapse of the classic line-up before a brand re-launch in 1986 that enjoys continued success to the present day.
Status Quo - The Frantic Four Years on track examines the band's groundbreaking first era with critical detail and honest opinions.
Joe Jackson is a singer, songwriter, composer, and performer who has twisted and turned his career through numerous genres, and continues to release excellent albums forty years after his initial breakthrough success. For some he’s the ‘Angsty Young Man’, forever hitched to two hit singles; ‘Is She Really Going Out With Him?’, and ‘It’s Different For Girls’. Other memories may extend further to include the smooth pop gems of ‘Steppin’ Out’ and ‘Breaking Us In Two’ from the early 1980’s. By the 1990’s he had apparently faded from the spotlight.
Stardom has never seemed to be the Jackson’s central ambition; he’s been happier to follow his muse. There is more, so much more to this gifted musician, and this book covers every facet of a brilliant, unpredictable, and fearsomely independent recording career. From early ‘new wave’ successes, via unexpected ‘covers’ albums, film soundtracks, impressive conceptual works, to classical compositions. These are all interspersed with more great songs always written with intelligence and verve. Jackson is the constant musical explorer.
For those who have stayed the course this book charts his every port of call so far; if you are unfamiliar but want to know more, jump onboard. You won’t regret it.
Stardom has never seemed to be the Jackson’s central ambition; he’s been happier to follow his muse. There is more, so much more to this gifted musician, and this book covers every facet of a brilliant, unpredictable, and fearsomely independent recording career. From early ‘new wave’ successes, via unexpected ‘covers’ albums, film soundtracks, impressive conceptual works, to classical compositions. These are all interspersed with more great songs always written with intelligence and verve. Jackson is the constant musical explorer.
For those who have stayed the course this book charts his every port of call so far; if you are unfamiliar but want to know more, jump onboard. You won’t regret it.
Horslips: arguably the greatest band in Irish rock music history. This five-piece band produced truly special, unique music in the 1970s. By joining literary craft and their cultural heritage with a fusion of traditionally inspired music with rock instrumentation, they created a genre of music which became known as ‘Celtic Rock’.
Horslips also pioneered an ‘in-house’ approach to the rock music business, controlling their stage presentation, graphic design, record pressing and concert promotion. Their finest albums - The Tain, and The Book Of Invasions - adapted legendary and historic texts with compelling music. Elsewhere the life and times of Turlough O’Carolan, the famine and emigration provided a conceptual backdrop to Dancehall Sweethearts, Aliens, and The Man Who Built America.
But the band broke up in 1980. Reconvening in the next century, after the ‘longest tea break in history’, they produced a new ‘acoustic covers’ album, played stadium-filling gigs and television performances, and recorded two live albums. This book celebrates (and sometimes criticises) the creative waves that Eamon Carr, Barry Devlin, Johnny Fean, Jim Lockhart, and Charles O’Connor gave us.
Horslips also pioneered an ‘in-house’ approach to the rock music business, controlling their stage presentation, graphic design, record pressing and concert promotion. Their finest albums - The Tain, and The Book Of Invasions - adapted legendary and historic texts with compelling music. Elsewhere the life and times of Turlough O’Carolan, the famine and emigration provided a conceptual backdrop to Dancehall Sweethearts, Aliens, and The Man Who Built America.
But the band broke up in 1980. Reconvening in the next century, after the ‘longest tea break in history’, they produced a new ‘acoustic covers’ album, played stadium-filling gigs and television performances, and recorded two live albums. This book celebrates (and sometimes criticises) the creative waves that Eamon Carr, Barry Devlin, Johnny Fean, Jim Lockhart, and Charles O’Connor gave us.