Spenser
37 primary works • 51 total works
Book 22
Book 23
Book 25
Book 26
It is, Spenser discovers, only the tip of the iceberg in a great conspiracy to keep America white, male and straight. Spenser must call upon his every resource, including friends on both sides of the law, to stay alive.
Book 27
When Spenser is approached by Walter Clive, president of Three Fillies Stables, to find out who is threatening his horse Hugger Mugger, he can hardly say no: He's been doing pro bono work for so long his cupboards are just about bare. Disregarding the resentment of the local Georgia law enforcement, Spenser takes the case. Though Clive has hired a separate security firm, he wants someone with Spenser's experience to supervise the operation.
Despite a veneer of civility, Spenser encounters tensions beneath the surface southern gentility. The case takes an even more deadly turn when the attacker claims a human victim, and Spenser must revise his impressions of the whole Three Fillies organization--and watch his own back as well.
With razor-sharp dialogue, eloquently spare prose, and some of the best supporting characters to grace the printed page, Hugger Mugger is grand entertainment.
Book 29
With lean, crackling dialogue, crisp action, and razor-sharp characters, Widow's Walk is another triumph.
Book 30
Book 31
Hired by a jilted bride to track her cheating husband, Spenser’s investigation takes an unexpected turn when he crosses paths with another detective assigned to follow the unfaithful wife. They aren't the most trusting couple in town, but as it turns out, they are the most dangerous.
As they dig deeper into the case, they uncover shocking secrets that threaten to unravel everything.
Book 32
“Cold Service moves with the speed of light.”—Orlando Sentinel
Book 33
When a Massachusetts boy is accused of mass murder, his socially prominent grandmother is convinced of his innocence and is willing to fight for him. But based on the boy's resigned attitude and the evidence stacked against him, Spenser isn't convinced of anything--except that there's trouble ahead...
Book 34
Book 35
Book 36
Hired as a bodyguard at an exclusive wedding, Spenser witnesses an unexpected crime: the kidnapping of the young bride, which opens the door for murder, family secrets, and the reappearance of an old nemesis.
Book 37
Book 38
Spenser fails his assignment to protect the person responsible for handing over ransom money for a stolen painting. He then decides to track down the thieves and retrieve the masterpiece on his own, putting his life in danger. The plot contains violence.
Book 39
Book 41
“Brann does a seamless job…Diehard Parker fans will be delighted.” —Publishers Weekly
It’s December in Boston, and Spenser is busy planning the menu for Christmas dinner when he’s confronted in his office by a young boy named Slide. Homeless and alone, Slide has found refuge with an organization named Street Business, which gives shelter and seeks job opportunities for the homeless and lost.
Slide’s mentor, Jackie Alvarez, is being threatened, and Street Business is in danger of losing its tenuous foothold in the community, turning Slide and many others like him back on the street. But it’s not a simple case of intimidation—Spenser, aided by Hawk, finds a trail that leads to a dangerous drug kingpin, whose hold on the at-risk community Street Business serves threatens not just the boys’ safety and security, but their lives as well.
Unfinished at the time of his death, Silent Night was completed by Parker’s longtime agent, whose decades-long association with Parker’s work gives her unique insight and perspective to his voice and storytelling style. Her contribution also speaks volumes about their enduring friendship.
Private eye Spenser has never had any difficulty handling women. But when four stunningly beautiful trophy wives hire him to protect them against a blackmailer threatening to expose their infidelities, even he must admit that they look like trouble.
Tracking down Gary Eisenhower, the blackmailer and serial adulterer, isn't too difficult - but almost in spite of himself Spenser finds that he quite likes the guy. Certainly the women, with their loose purse-strings and looser morals, and their loveless marriages to rich, powerful, corrupt men, are hard to feel sorry for.
But a killing soon changes the complexion of the case, and draws Spenser into the world of Boston's moneyed aristocracy: a world of corruption, vice and murder. As the bodies start to pile up, Spenser must decide which of his friends he can trust.
'One of the great series in the history of the American detective story' New York Times