Johns Hopkins: Poetry and Fiction
4 total works
The latest dazzling collection of poems from Charles Martin, a modern poet working within the possibilities of traditional measures.
To be modern is to live not in a single era, but in a churn of new technologies, deep history, myth, literary traditions, and contemporary cultural memes. In Future Perfect, Charles Martin’s darkly comic new collection, the poet explores our time and the times that come before and after, which we inhabit and cultivate in memory and imagination. Through poems that play with form and challenge expectation, Martin examines the continuities that persist from time immemorial to the future perfect.
Sensitive to the traces left behind by the lives of his characters, Martin follows their tracks, reflections, echoes, and shadows. In “From Certain Footprints Found at Laetoli,” an ancient impression preserved in volcanic ash conjures up a family scene three million years past. In “The Last Resort of Mr. Kees” and “Mr. Kees Goes to a Party,” Martin adopts the persona of the vanished poet Weldon Kees to reimagine his disappearance. “Letter from Komarovo, 1962” retells the tense real-life meeting between Anna Akhmatova and Robert Frost a year before their nations almost destroyed one another. And in the titular sonnet sequence that ends the book, Martin conjures a childhood in the Bronx under the shadow of the mushroom cloud of nuclear war as the perfected future supplanting the present.
Introducing Buck Rogers to Randall Jarrell and combining new translations or reinterpretations of works by Ovid, G. G. Belli, Octavio Paz, and Euripides, Future Perfect further establishes Charles Martin as a master of invention.
"--Daniel Hoffman, in 'Words to Create a World' Praise for'The Poems of Catullus:' "[A] translation that successfully recreates in English the wit, the lyric exaltation, the playful banter, the despair, the scurrilous invective, and the dramatic flair of the original, all of it moving easily in artfully contrived and skillfully controlled English equivalents of Catullus' many and varied meters."--Bernard Knox, 'New York Review of Books' "Martin is an American poet; he puts the poetry, the immediacy of the street, back into English Catullus. The effect is electric."'--Newsweek'
A rich collection of poems inspired by the Persian lyric tradition.
In The Khayyam Suite, acclaimed poet Charles Martin explores both the profound and the personal in verse that celebrates the spectrum of human experience.
At the heart of this collection is a study of the Rubaiyat, the renowned poem cycle attributed to the Persian poet Omar Khayyam. Martin pays homage to Khayyam's classical Persian poetic form—the ghazal—by infusing it with contemporary sensibilities, creating a rich tapestry of contemplation and artistry. By seamlessly blending Eastern and Western poetic traditions, Martin offers a unique and thought-provoking perspective on timeless questions that have captivated philosophers and poets throughout the ages. Each long poem consists of forty quatrains mirroring those of Khayyam's.
Martin's verses reflect on modern existential dilemmas, environmental crises, and the intricacies of personal relationships. From the haunting feeling of "On the Coming Extinctions" to the stark socioeconomic commentary in "On Capital," each poem invites the reader into a contemplative dialogue with the self. Martin's poems are both a mirror and a window to the soul, reflecting personal histories and illuminating the universal human condition. This collection, imbued with the lyrical charm and intellectual depth of Martin's writing, is a profound commentary on love, loss, and the fleeting nature of life.