Republished in 1949, Jacob Burckhardt's brilliant study, first published in Germany in 1852, has survived all its critics and presents today perhaps a more intelligible and a more valid picture of events, their nexus, and their relevance than any later study. This English version is apt to the moment. No epoch of remote history can be so relevant to modern interests as the period of transition between the ancient and the medieval world, when a familiar order of things visibly died and was supplanted by a new. Other transitions become apparent only in retrospect; that of the age of Constantine, like our own, was patent to contemporaries. Old institutions, in the sphere of culture as of government, had grown senile; economic balances were altered; peoples hitherto on the peripheries of civilization demanded attention, and a new and revolutionary social doctrine with an enormous emotional appeal was spread abroad by men with a religious zeal for a new and authoritarian cosmopolitanism and with a religious certainty that their end justified their means. For us, contemporary developments have made the analogy inescapable, but Jacob Burckhardt's insight led him to a singularly clear apprehension of the meaning of the transition almost a century ago, and the analogy implicit in his book is the more impressive as it was unpremeditated.


On several journeys to Italy in the mid-nineteenth century, the Swiss historian Jacob Burckhardt (1818-97) saw in the figures and events of the Italian Renaissance certain traits that he believed to be mirrored in the politics of his own day, notably some aspects of 'an unbridled egoism, outraging every right, and killing every germ of a healthier culture'. Revolutionary in his all-encompassing and unflinching examination of the Italian Renaissance, Burckhardt saw developments in statecraft and war as giving rise to the more publicised artistic progress of the era. First published in 1860, this work is considered to be his magnum opus on the subject, and is here reissued in the accessible two-volume English translation of 1878 by S. G. C. Middlemore. In Volume 1, Burckhardt considers three key themes: the state as a work of art, the development of the individual, and the revival of antiquity in education and philosophy.