Frames
3 total works
‘A beautiful, beguiling book full of resonances that continue to sound long after you’ve turned the final page. Its imagining is magical, its execution dazzlingly skilful.’ Sunday Tribune
Ghosts opens with a shipwreck, leaving a party of sightseers temporarily marooned on an island. The stranded castaways make their way towards the big isolated house which is home to the reclusive Professor Silas Kreutznaer and his laconic assistant, Licht, but it is also home to another, unnamed presence . . .
Onto this seemingly haunted island, where a strange singing hangs in the air, John Banville drops an intriguing cast of characters – including a murderer – and weaves a tale where the details are clear but the conclusion polymorphous – shifting appearances, transformations and thwarted assumptions make this world of uneasy calm utterly enthralling.
Inspired by the crimes of Malcolm Macarthur in Ireland, 1982, The Book of Evidence by John Banville is a gripping portrait of a cold, deceptive and utterly unprecedented killer.
'Banville writes a dangerous and clear-running prose and has a grim gift of seeing people's souls' – Don DeLillo, author of White Noise and Libra
Freddie Montgomery has committed two crimes. He stole a small Dutch master – an unattributed painting of a middle-aged woman – from a wealthy family friend. And he murdered a chambermaid who caught him in the act, bludgeoning her to death with a hammer.
An eccentric narcissist, he has little to say about the woman he killed. He travels through life without any apparent remorse. He killed her, he says, because he was physically capable of it. It made sense to him.
However, as he narrates his testimony, there is one thing he cannot understand. One thing he would desperately like to know. Why did he want to steal the painting?
Shortlisted for the Booker Prize
'Remarkable' – Ruth Rendell, author of the Inspector Wexford novels
The Book of Evidence is the first in John Banville's acclaimed Frames Trilogy. It is followed by Ghosts and Athena.