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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a cr...

From 19 November 2013 to 6 April 2014, the Fondation Cartier pour l’art contemporain will be showing America Latina 1960-2013, organized in collaboration with the Amparo Museum in Puebla (Mexico). The exhibition offers a new perspective on Latin American photography from 1960 to today, focusing on the relationship between text and the photographic image. Bringing together more than seventy artists from eleven different countries, it shows the great diversity of photographic practices by presenti...

In October 2012, Hurricane Sandy devastated communities in the New York City, New Jersey, and Connecticut areas. In response, Foley Gallery and photographer Wyatt Gallery organized an exhibition of iPhone photographs of the storm by the photographers listed above. Hundreds of people attended the one-night event, and almost 400 photographs were purchased. Over a year later, many residents are still struggling to regain normal living conditions. Pre-purchase this groundbreaking book today and help...

"... collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of thirty years by New York collector W. M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert...

Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, J rg Br ggemann, Espen Eichh fer, Annette Hauschild, Harald Hauswald, Pepa Hristov , Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian R der, Frank Schinski, Jordis Antonia Schlosser, Anne Sch nharting, Linn Schr der, Heinrich V lkel and Maurice Weiss.

It is hard to imagine today that the artistic value of color photography was once questioned and controversial, even as recently as the 1980s. William Eggleston's watershed exhibition at The Museum of Modern Art, New York, in 1976, generated plenty of scorn and confusion, as spectators struggled to accept his seemingly ordinary-looking color images of Southern life as art. Early photographs by Stephen Shore, Helen Levitt, Joel Meyerowitz and others received similarly hostile or ambivalent review...

Launched in 2009 as the first festival of its kind in Germany, Queer Festival Heidelberg has evolved into a notable fixture in the queer scene (and well beyond). As a platform for queer culture celebrating sexual and gender diversity, its mix of concerts, art shows, performances, readings, film screenings, and panel discussions attracts more than 10,000 visitors from across Germany and Europe every year. Since 2021, Germany’s largest and oldest queer festival has enjoyed the support of the city...

In September 2011, a group of scientists, artists and writers embarked on an expedition to North-West Svalbard, the northern extremity of Norway. Traveling on a ship, the M/S Stockholm, each of them recorded the event from their own professional and personal perspective. The aim of the expedition was to discuss the discourse of the voyage regarding the environment and our relation to the land and nature. As such, this book turns out as an artistic account integrated by scientific documentation....

During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their...