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Radio provided a new and powerful medium in 1930s France. Devoted audiences responded avidly to their stations' programming and relied on radio as a source of daily entertainment, news, and other information. Within the comfortable, secure space of the home, audio culture reigned supreme. In Programming National Identity, Joelle Neulander examines the rise of radio as a principal form of mass culture in interwar France, exploring the intricate relationship between radio, gender, and consumer cul...

From Neville Chamberlain's historic declaration of war on Germany in 1939 to the sounds of rejoicing crowds on VJ Day in August 1945, the BBC - regarded at home and abroad as the very voice of Britain and the world's most trusted broadcaster - brought the full picture to an attentive nation. This unique chronicle of war has the same rawness and immediacy as when the recordings were first broadcast over 60 years ago. It is both a testament to the BBC War Correspondents and a rare document in hist...

This history of the early days of shortwave broadcasting provides a uniquely detailed look at a long-neglected area of radio. An examination of the development of shortwave is followed by an overview of the primary shortwave stations worldwide operating in the 1930s. The early equipment and the growth of long-distance listening is covered, as are the clubs, competitions, and more.

When Throckmorton P. Gildersleeve bade farewell to Fibber McGee and Molly and left Wistful Vista on a train in 1941, no one could have predicted that he would be riding the airwaves with his own new show until 1957. But when one listens to episodes of radio's first spinoff, it becomes clear the The Great Gildersleeve succeeded because its likable and amusing characters were appealingly fallible, much like the folks each of us knew in our hometowns. This book is a guide to more than 500 episod...

The early eras of radio storytelling have entered and continue to enter the public domain in large quantities, offering unprecedented access to the Golden Age of Radio. Author and Professor John Pavlik mines the best this age of radio has to offer in Masterful Stories, an examination of the masterpieces of audio storytelling. This book provides a chronological history of the best of the best from radio’s Golden Age, outlining a core set of principles and techniques that made these radio plays en...

Sky Train collects 35 of McBurney's creative non-fiction pieces, in which Isaac Brock, steam trains, ghost soldiers, and lost loves all find a home.

From the former chief economist of the FCC, a remarkable history of the U.S. government's regulation of the airwaves Popular legend has it that before the Federal Radio Commission was established in 1927, the radio spectrum was in chaos, with broadcasting stations blasting powerful signals to drown out rivals. In this fascinating and entertaining history, Thomas Winslow Hazlett, a distinguished scholar in law and economics, debunks the idea that the U.S. government stepped in to impose necessa...

David Calder, David Tennant and Hamish Clark star in these BBC Radio 4 dramas based on the original TV series. George Dixon became one of the best-known and most-loved fictional policemen during the course of three decades of BBC TV's Dixon of Dock Green, in which he was played by Jack Warner. In these 12 radio adaptations he once again upholds the law on the streets of 1950s Dock Green. David Calder stars as PC George Dixon, with David Tennant and Hamish Clark as PC Andy Dixon. Running time: 6...

Roosevelt was the first politician to recognize the power of radio, his speeches and fireside chats were broadcast over networks only recently equipped with newsrooms, allowing listeners to learn of events immediately. The full power of the medium was demonstrated by the young Orson Welles' War of the Worlds, which caused widespread panic.

It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium. The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicise...