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Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-g...

Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?

This book highlights the richness and heterogeneity of Latin American documentary film, deepening debates on salient themes. It addresses the "subjective turn" of the 1990s and 2000s and the move beyond it; the ethics of the encounter between the filmmaker and the subject/object of his or her gaze; and the performance of truth and memory, a particularly urgent topic as Latin American countries have transitioned from dictatorship to democracy. Nearly two decades into the new millennium, Latin Ame...

Der Band setzt sich mit Fragen nach dem erkenntnistheoretischen Status des Dokumentarischen und dem Wesen des Dokumentarfilms insbesondere in historischer Hinsicht auseinander. Ein Blick in heutige Medienkulturen zeigt, dass gesellschaftliche Kommunikation über Vergangenheiten in Film, Fernsehen oder Internet von dokumentarischen Formen und Formaten maßgeblich mitbestimmt wird. Dokumentarische Filme prägen in hohem Maße unsere öffentlichen Geschichts- und Gesellschaftsbilder. Sie sind damit nich...

In The Media of Testimony, Sara Jones examines the use of eyewitness testimony in different cultural forms. The focus is on memories of the East German State Security Service (Stasi) in autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, Jones develops a distinctive and interdisciplinary approach to testimony, memory and mediation. She considers the processes by which authors, directors and heritage managers seek to generate aut...

What links the interviews with Saddam Hussein and Mahmoud Ahmadinejad on British and American TV, the chase of journalists following mega-terrorists, and the new status conferred on ordinary people at war? Transforming Media Coverage of Violent Conflicts offers a timely and original discussion on the shift in war journalism in recent years.

The Brian Jonestown Massacre are probably best known for their leader Anton Newcombe s incendiary persona, as captured in the controversial 2004 rockumentary Dig! - which won the Grand Jury Prize at Sundance - but what isn t known is the truth behind the making of the film, or the true story of the band since their formation in early 1990s San Francisco. Until now. Writer, actor, and musician Jesse Valencia spent ten years uncovering the mysteries of the band and the film, during which time he...

Negotiating Dissidence traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria. Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Stefanie Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestini...

An examination of a century of screen representations of Ireland from a cultural studies perspective. Analyzing historical and contemporary examples from both film and television, the book offers a thematically-informed synthesis of the most influential research on Irish audio-visual culture. The opening chapters discuss the pertinent features of Irish history and analyze critical debates about Ireland's cultural development in the 20th century, favouring and exploring postcolonial representatio...

This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art’s critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics...

For armchair travellers, film buffs, tourists and city dwellers alike, Turner Classic Movies takes you on a one-of-a-kind tour of the cinematic sites of New York City.Highlighting the great films set in the Big Apple since the dawn of cinema to the present, Cinematic Cities: New York City is both a trove of information including behind-the-scenes stories and trivia, and a practical guide full of tips on where to go, eat, drink, shop, and sleep to follow along the path of your favourite films set...

This book examines representations of home in literary and visual cultures in the 20th and 21st centuries. The collection brings together scholars working on literature, film, and photography with the aim of showcasing new research in a burgeoning field focusing on representations of domesticity. The chapters span a diverse range of contexts from across the world and use a variety of approaches to exploring representations of home including studies of space, material culture, sexuality, gender,...

Jürgen Böttcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown. Through the comparison of films made in the same year, one by an American and one by Böttcher, the author places him as ahead of his time in regards to technology, content, and style, and neck-and-neck with contemporary American filmmakers in cinéma vérité/direct cinema.The book moves beyond Böttcher’s dramatic...

Emphasizing the role of documentary in shaping a nation-state’s image, demonstrating social development and promoting cultural exchanges, this book examines the changes in China’s national image in documentaries at home and abroad since 1949. Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries re...

This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-an...

Thirty-five years of nonfiction films offer a unique lens on twentieth-century French social issues Critical Mass is the first sustained study to trace the origins of social documentary filmmaking in France back to the late 1920s. Steven Ungar argues that socially engaged nonfiction cinema produced in France between 1945 and 1963 can be seen as a delayed response to what filmmaker Jean Vigo referred to in 1930 as a social cinema whose documented point of view would open the eyes of spectators t...

Following on from the first volume, this book details the engrossing story of the two camera operators sent out to the Balkans by the American film producer Charles Urban, who had established his company in London in the early 20th century. The first of them, the Englishman Charles Rider Noble, filmed as many as 38 short living pictures in Bulgaria in 1903 and 1904. The second, the Scot John Mackenzie, travelled with his bioscope through Croatia, Montenegro, Bosnia and Herzegovina, Serbia, Bulga...

This collection of essays by Australian based practitioner–theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by ne...

Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph.Guilherme Carréra’s compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone...

Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the ci...