Zahlen Zwischen Struktur Und Bedeutung (Europaeische Hochschulschriften / European University Studie, #169)
by Leopold Brauneiss
Das Buch fasst zehn Studien zu einem historischen Langsschnitt zusammen, der der Frage nachgeht, welche Funktion das Einbeziehen von Zahlenstrukturen in den Kompositionsprozess innerhalb des einzelnen Werkes haben konnte. Der Ausgangspunkt ist dabei durchwegs strukturanalytisch, die symbolische Exegese ist nachgeordnet."
Mistakes and disputed points in music and music teaching
by Elson Louis Charles
A Short and concise analysis of Mozart's twenty-two pianoforte sonatas, with a description of some of the various forms
by Janet Salsbury
Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Oboe Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your...
This is first of all a textbook in the history of music. It begins with the origins and antecedents of the music of ancient Greece and proceeds through all successive stages concluding with the 20th-century music of England and the U.S.
Music in Theory and Practice, Vol. 2 with Workbook
by Bruce Benward and Marilyn Saker
This study covers the origins, development through the centuries, and continued progress of Armenian Monodic music alongside polyphonic and harmonic music. The subject is treated in two parts. The first part deals with Monodic music as one of the phenomena of Armenian culture, and reviews the principle stages of development of monody, and the basic problems concerning its style and composition. The second part is devoted to theoretical analysis of the modes in Armenian music.
The Early Film Music of Dmitry Shostakovich (Oxford Music/Media)
by Joan Titus
In the late 1920s, Dmitry Shostakovich emerged as one of the first Soviet film composers. With his first score for the silent film the New Babylon (1929) and the many sound scores that followed, he was positioned to observe and participate in the changing politics of the film industry and negotiate the role of the film composer. In The Early Film Music of Dmitry Shostakovich, Joan Titus examines the scores of six of Shostakovich's films, from 1928 through 1936. Instead of investigating Shostakov...
The "Contenance Angloise" in Perspective (Outstanding Dissertations in Music from British Universities)
by Philip R Kaye