The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento. This book traces the 15 years (1964-1979) leading up to Nana'...
Luis Fonsi Famous Coloring Book (Luis Fonsi Famous Coloring Books, #0)
by Stephanie Dane
Bossa Mundo (Currents in Latin American and Iberian Music)
by K.E. Goldschmitt
Brazilian music has been central to Brazil's national brand in the U.S. and U.K. since the early-1960s. From bossa nova in 1960s jazz and film, through the 1970s fusion and funk scenes, the world music boom of the late 1980s and the bossa nova remix revival at the turn of the millennium, and on to Brazilian musical distribution and branding in the streaming music era, Bossa Mundo: Brazilian Music in Transnational Media Industries focuses on watershed moments of musical breakthrough, exploring wh...
Oye Como Va!
by Pacini Hernandez Deborah and Deborah Pacini Hernandez
Latino music as an amalgam of American cultures
Moderna TeorA a de la Musica, Libro 3 (Moderna Teoria de La Musica, BK 3)
by Josefina S De La Cruz
Brazilian Music in Odd Meters (Advance Music)
by Carlos Ezequiel and Lupa Santiago
Latin Music is my Escape from all the Bullshit in Life Planner
by Latin Music Press
