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Jamaican Voiceworks is an outstanding collection of fun and appealing Jamaican songs presented in the practical Voiceworks format. Including little-known gems and traditional favourites alongside classic pop hits, these arrangements cover a wide range of Jamaican styles and genres. With practical teaching and rehearsal notes, and 2 CDs containing performances and backings, Jamaican Voiceworks is a fantastic resource for singing groups of all ages.

Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliv...

Second-generation Irish musicians have played a vital role in the history of popular music in England. This book explores the role of Irish ethnicity in the lives and work of these musicians, focusing on three high-profile projects: Kevin Rowland and Dexys Midnight Runners, Shane MacGowan and The Pogues, and Morrissey/Marr and The Smiths. The book locates these musicians in a hyphenated 'Irish-Englishness' marked by 'in-between-ness' and explores the different ways that they engaged with this i...

Traces the history of music in England from the fifteenth century to the present day and discusses various types of music and important composers and performers.

This CD introduces some of Russia's most beloved artists to an international audience that, until now, has largely overlooked Russia's folk and popular music. With the fall of the Iron Curtain, the music scene in Russia changed and the communist censors disappeared allowing the bards, folk songs, singers and rock bands to flourish. This album features music from Russia's first lady of song, Alla Pugacheva; singer poet Vladimir Vysotsky; Cossack folk from Zhanna Bichevskaya; Gypsy virtuosos Loyko...

This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife - a form of West African music infusing Ghana's traditional Akan dance rhythms and melodies with European instruments and harmonies - grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and su...

Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important...

"Russian folk songs are a living history of the Russian people, rich, vivid and truthful, revealing their entire life," wrote the great Russian writer Nikolai Gogol. Russian folk songs have always played an essential part in Russian life, culture, and music. They have played an important part in the work of many great Russian composers including Glinka, Rimsky-Korsakov, Borodin, Tchaikovsky, Prokoviev, and Stravinsky. In this new study, Vadim Prokhorov provides a historical survey and a descri...

The Music Road contains contributions on musical cultures from the Mediterranean to India which brings together historical research, philology and ethnographic fieldwork to revive the differentiated voices of this world region. It is here referred to as "the Music Road>", to emphasize the musical traditions in this western half of the "Silk Road", and the transitional nature of its cultural migrations and coherences. Mobility in space, transmission in time and "the East-West imagination" are d...

This book is an ethnographic study of sound archives and the processes of creative decolonization that form alternative modes of archiving and curating in the 21st century. It explores the histories and afterlives of sound collections and practices at the International Library of African Music. Sound Fragments follows what happens when a colonial sound archive is repurposed and reimagined by local artists in post-apartheid South Africa. The narrative speaks to larger issues in sound studies, cur...