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In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century Brit...

An Unnatural Attitude traces a style of musical thought that coalesced in the intellectual milieu of the Weimar Republic-a phenomenological style that sought to renew contact with music as a worldly circumstance. Deeply critical of the influence of naturalism in aesthetics and ethics, proponents of this new style argued for the description of music as something accessible neither through introspection nor through experimental research, but rather in an attitude of outward, open orientation towar...

Ein Teilgebiet der Greifswalder Musikforschungen untersucht die regionale Musikhistorie und die Musikerwanderungen im 19. Jahrhundert. Mittels zahlreicher Zeitungen, Zeitschriften und Konzertblatter konnten Konzerttermine, Programme und Konzerteinschatzungen aus den Stadten Hamburg, Lubeck, Rostock, Greifswald, Stettin und Danzig registriert werden. Anhand dieses Materials konnten weiterhin Reiserichtungen, Preise und Konzertaufbauten verglichen werden. Wichtige Schlusse wurden so auch zum musik...

Okatch Biggy was the single most dominant benga artiste of the 1990s. Over that decade, benga was the most important genre of popular music in Kenya. What is it about the music of Okatch Biggy that made it attractive to his target audience, the Luo of the 1990s? Is there something about the Luo of the 1990s that predisposed them to this music? In the course of answering these-and related-questions, this volume analyzes Okatch Biggy's songs as works of art, that is, by identifying the aesthetic a...

Challenging what is widely regarded as the distinguishing feature of Russian music-its ineffable "Russianness"-Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period-that art reve...

Dedicated to the late Gerard Behague (1937-2005), whose pioneering work in Latin American music, popular culture, and performance studies contributed extensively to ethnomusicological discourse in the 1970s-1990s, this anthology offers comparative perspectives on the evolving legacy of performance ethnography in socio-musical analysis. President of the Society for Ethnomusicology from 1979-81, editor of its journal, Ethnomusicology, from 1974-78, and founder and editor of the trilingual Latin Am...

The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodo...

Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author's field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia's black cultural renaissance, the traditions of rural migrants, and currents...

Maurice El Medioni (born on 18 October 1928 in Oran, Algeria) is an Algerian Jewish pianist, composer and interpreter of Andalusian, Rai, Chaabi, Sephardic and Arab music. He is one of the few living artists to have performed with the great Chaabi artists Lili Labassi, Line Monty, Samy el Maghribi, and Reinette l'Oranaise along with modern Rai greats like Khaled. This book contains his original handwritten memoirs, translated by Jonathan Walton. He tells firsthand the story of his early life in...

Darkthrone's A Blaze in the Northern Sky (1992) is a foundational keystone of the musical and aesthetic vision of the notorious Norwegian black metal scene and one of the most beloved albums of the genre. Its mysterious artwork and raw sound continue to captivate and inspire black metal fans and musicians worldwide. This book explores the album in the context of exoticism and musical geography, examining how black metal music has come to conjure images of untamed Nordic wildernesses for fans wor...

Discover the richness and beauty of Bali's many performing art forms. The fabled island of Bali is known around the world for its amazing dance and musical spectacles! Balinese Dance, Drama & Music is a lavishly-illustrated field guide to the island's traditional performing arts, including gamelan music and elaborate dance, theatre, and shadow puppet performances frequently put on as part of temple celebrations. Perfect for visitors, students, or anyone with an interest in Balinese culture, thi...