In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condil...
Mozart, Piano Concerto in c Minor, K491 (Musical Sources S., v. 14)
The Mynshall Lute Book (Musical Sources S., v. 6)
Shostakovich's Seventh Symphony was first played in the city of its birth on 9 August, 1942. There has never been a first performance to match it. Pray God, there never will be again. Almost a year earlier, the Germans had begun their blockade of the city. Already many thousands had died of their wounds, the cold, and most of all, starvation. The assembled musicians - scrounged from frontline units and military bands, for only twenty of the orchestra's 100 players had survived - were so hungry,...
12 Passacaglia for Flute, Alto Saxophone and Violoncello
by Ondrej Sarek
The Trumbull Lute Book (Musical Sources S., v. 19)
William Boyce (Recent Researches in the Music of the Baroque Era, #7)
by William Boyce
Seattle is a music town with rich, deep roots that have influenced the culture and identity of its civic life for decades. In a society that appreciates music but is ambivalent toward the profession of making it, the importance and contribution of Seattle's musicians have been routinely overlooked in historical accounts of the city. Kurt Armbruster fills that gap in this far-reaching and entertaining panorama of Seattle music from the 1890s to the 1960s, "before Seattle rocked." For this once-r...
This is the first book-length study of the Orgelbuchlein, the masterly collection of organ chorales by Johann Sebastian Bach. This 'Little Organ Book' is regarded by Bach scholars as one of the composer's most important achievements and by organ scholars as a milestone in the development of the chorale. In this lucid and absorbing book Russell Stinson, himself an organist, examines the collection from a range of historical and analytical perspectives in a way that will resonate with not only o...
Octet for Winds, Op. 103; Rondino for Winds; Sextet for Winds; Duos and Trios (Kalmus Edition)
Ombra is the term which applies to an operatic scene involving the appearance of an oracle or demon, witches, or ghosts. Such scenes can be traced back to the early days of opera and were commonplace in the seventeenth century in Italy and France. Operas based on the legends of Orpheus, Iphigenia, and Alcestis provide numerous examples of ombra and extend well into the eighteenth century. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century is an in-depth examination of ombra...
