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In 1906, a group of artists and intellectuals reinterpreted the tales of the Middle Eastern trickster Nasreddin to construct a progressive anti-colonial discourse with a strong emphasis on social, political and religious reform. Using folklore, visual art and satire, their periodical Moll? Nasreddin which had full-page lithographic cartoons in colour, reached tens of thousands of people across the Muslim world, from Iran and Turkey, to India and Egypt, impacting the thinking of a generation....

The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of au...

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they're both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakepeare is The Bard; Python is well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the...

Sparky Sweets, PhD, and Wisecrack proudly present this outrageously funny, ultra-sharp guide to literature based on the hit online series, Thug Notes. Inside, you'll find hilarious plot breakdowns and masterful analyses of sixteen of literature's most beloved classics, including: Things Fall Apart, To Kill a Mockingbird, Hamlet, The Catcher in the Rye, Lord of the Flies, Pride and Prejudice, and more!   The series Thug Notes has been featured on BET, PBS, and NPR and has been used in hundreds o...

'What a marvellous book this is . . . de Botton dissects what [Proust] had to say about friendship, reading, looking carefully, paying attention taking your time, being alive and adds his own delicious commentary. The result is an intoxicating as it is wise, amusing as well as stimulating, and presented in so fresh a fashion as to be unique . . . I could not stop, and now much start all over again.' Brian Masters, Mail on Sunday 'De Botton not only has a complete understanding of Proust's lif...

A narrow street with dreadful "wynds" and "vennels" running back from it was the High street of Glasgow at the time my story opens. And yet, though dirty, noisy and overcrowded with sin and suffering, a flavor of old time royalty and romance lingered amid its vulgar surroundings; and midway of its squalid length a quaint brown frontage kept behind it noble halls of learning, and pleasant old courts full of the "air of still delightful studies." From this building came out two young men in academ...

The essays collected in this volume draw unprecedented critical attention to the centrality of politics in Flann O'Brien's art. The organising theme of Gallows Humour These innovative analyses explore the place of biopolitics in O'Brien's modernist experimentation and popular writing through reflections on his handling of the thematics of violence, justice, capital punishment, eugenics, prosthetics, skin, prostitution, syphilis, rape, reproduction, illness, auto-immune deficiency, abjection, dri...

First published in 1988, this book looks at the enormous impact Dickens' writings had on American novelists in the second half of the nineteenth century. Dickens dominated not only popular taste but the American novel for sixty years and the author argues that even the most original writers showed themselves again and again to be in 'conscious sympathy' with Dickens. Along with Dickens, this book examines four radically different American writers - Mark Twain, William Dean Howells, Henry James a...

Enter the world of Susan Lilian Townsend - sun-worshippers, work-shy writers, garden-centre lovers and those in search of a good time all welcome. Over the last decade, Sue Townsend has written a monthly column for Sainsbury's Magazine, which covers everything from hosepipe bans and Spanish restaurants to writer's block and the posh middle-aged woman she once met who'd never heard of Winnie-the-Pooh. Collected together now for the first time, they form a set of pieces from one of Britain's mos...

"A Christmas Garland" was first published in 1912, and has long been out of print. It consists of 17 parodies with a Christmas theme of some of the most renowned authors of the period - including Kipling, Henry James, Thomas Hardy, H.G. Wells and Conrad - written by Max Beerbohm, whose reputation as a humourist and writer remains high. It is regarded as one of the finest collection of parodies in the English language, and is now published with 32 caricatures of the authors, drawn by Beerhohm. In...

Jonathan Ames has drawn comparisons across the literary spectrum, from David Sedaris to F. Scott Fitzgerald to Woody Allen to P.G. Wodehouse, and his books, as well as his abilities as a performer, have made him a favorite on the Late Show with David Letterman. Whether he's chasing deranged cockroaches around his apartment, kissing a beautiful actress on the set of an avant-garde film, finding himself stuck perilously on top of a fence in Memphis in the middle of the night, or provoking fights w...

This book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path...

Shakespeare in Jest draws fascinating parallels between Shakespeare's humour and contemporary humour. Indira Ghose argues that while many of Shakespeare's jokes no longer work for us, his humour was crucial in shaping comedy in today's entertainment industry. The book looks at a wide variety of plays and reads them in conjunction with examples from contemporary culture, from stand-up comedy to late night shows. Ghose shows the importance of jokes, the functions of which are remarkably similar...