My Papa Says I'm a Beautiful And Magical Unicorn & She's Never Wrong
by Family Unicorn Gifts
'Effervescent' NEW YORKER 'A fresh, fast-paced history ... Riveting' MAYA JASANOFF 'Today the war news is available around the clock on TV screens, in print, and on the internet. Back then the best source of news was an intrepid band of young American newspaper correspondents whose exclusive dispatches brought home word of the coming cataclysm ... [Cohen writes with] prodigious research and sparkling prose. The book is a model of its kind' WALL STREET JOURNAL...
Evidence-Based Writing, Grade K (Applying the Standards)
by Jeanette Moore Ritch
Records of the Grand Historian
Sima Qian (145?-90? BCE) was the first major Chinese historian. His "Shiji," or "Records of the Grand Historian," documents the history of China and its neighboring countries from the ancient past to his own time. These three volumes cover the Qin and Han dynasties.
The Reporter Who Knew Too Much
by Donald E. Davis and Eugene P. Trani
During his career at the New York Times, Harrison Salisbury served as the bureau chief in post-World War II Moscow, reported from Hanoi during the Vietnam War, and in retirement he witnessed the Tiananmen Square massacre firsthand. Davis and Trani's engaging biography of the two-time Pulitzer Prize-winning journalist makes use of Salisbury's personal archive of interviews, articles, and correspondence to shed light on the personal triumphs and shortcomings of this preeminent reporter and illumin...
The Proud Highway (Fear and Loathing Letters, #1) (Gonzo Letters, #1)
by Hunter S Thompson
This is Hunter S. Thompson's recollection of his perception of the 1960s and a portrait of a writer of huge intelligence who is forced to live as an outsider, with rage and humour as the only tools with which to force his way in. Hunter S. Thompson's work includes "Fear and Loathing in Las Vegas", "Hell's Angels", "Fear and Loathing on the Campaign Trail" and "Better than Sex". Much influenced by Hemingway, George Orwell, Jack Kerouac, Tom Wolfe and Ken Kesey, he is the founder of 'gonzo' journa...
Finley Peter Dunne, American journalist and humorist, is justly famous for his creation of Mr. Dooley, the Chicago Irish barkeep whose weekly commentary on national politics, war, and human nature kept Americans chuckling over their newspapers for nearly two decades at the beginning of this century. Largely forgotten in the files of Chicago newspapers, however, are over 300 Mr. Dooley columns written in the 1890s before national syndication made his name a household word. Charles Fanning offers...
I Never Asked To Be The World's Best Kindergarten Teacher But Here I Am Absolutely Crushing It
by Cute Teachers Ma
Metaphern Des Misslingens (Europaeische Hochschulschriften / European University Studie, #250)
by Pia Neumann
In den sechziger Jahren wurde das Medium Fotografie in Amerika als Ausstellungs- und Sammlungsgegenstand erstmals von etablierten Kunstinstitutionen akzeptiert und damit zur legitimen Kunstform. Auffallend ist, dass sich dieser Kunstbegriff von Fotografie nahezu ausschliesslich an dokumentarischen Formen festmacht. Anhand der Besprechung der Arbeiten von Robert Frank, Garry Winogrand, Lee Friedlander und William Eggleston wird gezeigt, wie sich aus der Ausstellungspolitik des Museum of Modern Ar...
Complacency and Collusion focuses on the practice of financial and business journalism, giving compelling explanations for why big business needs the press and why the press needs big business. The growing passivity and changing bias of Western journalists is widely acknowledged. Across the media, in newspapers, TV, media and the internet, journalism is increasingly hollowed out by writers who are no longer gathering news but rather churning out unsourced information, PR texts and online snip...
Do you trust the liberal media? While the tabloid and right-wing press - the Sun, The Times, the Mail and the Express - are constantly criticised for dangerous bias, outlets like the BBC and the Guardian are trusted by their readers to report in the interests of the public. However, the reality is that all corporate media is systematically filtered by the powerful interests that own, manage and fund it. Propaganda Blitz shows that the corporate media does not just 'spin' the news - it fundame...