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'The guillotine - and capital punishment and other diverse methods of dispensing death more generally - have been the abiding obsessions of my life. It began very early. I must have been no more than ten years old...' Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the German army. After the li...

Feature and Narrative Storytelling for Multimedia Journalists is the first text that truly focuses on the multimedia and documentary production techniques required by professional journalists. Video and audio production methods are covered in rich detail, but more importantly, various storytelling techniques are explored in depth. Likewise, author Duy Linh Tu tackles the latest topics in multimedia storytelling, including mobile reporting, producing, and publishing, while also offering best prac...

The study of news and news practice is rich in examinations of what journalists owe to society. However, this book looks at what journalists can expect from society: what roles ownership structures, colleagues, governments and audiences should play so journalists can do their jobs well – and safely. What Journalists Are Owed draws on a variety of research perspectives – legal and ethical analysis, surveys, interviews and content analysis – in different national settings to look at how those rel...

A compelling insider's account of who the movers and shakers are in the Canberra Press Gallery, how they interact with each other, the pollies, their staff, and who decides what's hot and what's not.

In one of her escapades as a reporter for Joseph Pulitzer's New York World, the renowned Nellie Bly feigned insanity in 1889 and slipped, undercover, behind the grim walls of Blackwell's Island mental asylum. She emerged ten days later with a vivid tale about life in a madhouse. Her asylum articles merged sympathy and sensationalism, highlighting a developing professional identity-that of the American newspaperwoman. The Blackwell's Island story is just one example of how newspaperwomen used...

Stories with no substance. Talking heads without a clue. “Team” coverage that still misses the big picture. Overheated hype. Cute chatter. Film at eleven. Is it any wonder more and more of us count less and less on the news? “It used to be that a news story told you who, what, where, when, how, and why,” Art Athens writes. “Now the story might tell you who, or it might tell you when, but there’s a good chance that when it’s over (which won’t take long), you’ll be the one saying What?” Here’s a l...

Shifting European identities, cultural loyalties and divisions are often expressed more directly through attitudes to 'the people's game' game than in any other arena. This book examines European football journalism from throughout the last century to present a unique cross-cultural analysis of changing European national and regional identities. Building on detailed research into original language sources from across Western Europe, from the early 20th century to the present day, Football and Eu...

Obituaries are history as it is happening. Whose time am I living in? Was he a success or a failure, lucky or doomed, older than I am or younger? Did she know how to live? Where else can you celebrate the life of the pharmacist who moonlighted as a spy, the genius behind Sea Monkeys, the school lunch lady who spent her evenings as a ballroom hostess? No wonder so many readers skip the news and the sports and go directly to the obituary page. This book is the story of how these stories get told....