Hauptmann von Kopenick (Methuen's Twentieth Century German Texts)
by Carl Zuckmayer
Wit Without Money The Works of Francis Beaumont and John Fletcher
by Francis Beaumont
In this 1976 introduction to Brecht's theatre and theory, Ronald Gray explores the dramatist's interacting roles as a committed Marxist seeking to influence audiences and as one of the most innovative craftsmen ever to work in the theatre. Dr Gray traces the development of Brecht's dramatic work in the context of his life and time and discussed its significance, devoting chapters to reappraisals of the major plays. Particular attention is paid to Brecht's dramatic theories and their relationship...
Shakspeare's Tragedy of Hamlet, with Notes, Extr. from the Old 'historie of ...
by William Shakespeare
German director Frank Wisbar (1899-1967) had the misfortune of achieving success as a filmmaker just as Hitler came to power. While critics praised his work, Nazi cultural watchdogs were scornful of his attempts to chart ""the landscape of the soul"" in films like Ferryman Maria (1936) and Anna and Elisabeth (1933). Wisbar fled to America, where Hollywood saw him as no more than a technician, good for churning out low-budget horror like Strangler of the Swamp (1945) and Devil Bat's Daughter (194...
The Revels History of Drama in English
by Clifford Leech, T. W. Craik, Norman Sanders, Richard Southern, and Lois Potter
The first collection of April De Angelis's plays selects work from her plays Ironmistress, Hush, Playhouse Creatures and The Positive Hour, and includes an introduction by the author.'There is no denying the sheer exuberance of De Angelis's writing.' Guardian
The Dramatic Works of Gerhart Hauptmann; Volume 8
by Gerhart Hauptmann
Spanish and French Rivalry in the Gulf Region of the United States, 1678-1702
by William Edward Dunn
