“I want to have an effect at this time, in which people are at such a loss and so much in need of help.” Käthe Kollwitz is the woman artist from 20th-century Germany whose works are best-known internationally. She also enjoys the highest esteem beyond the boundaries of Europe. The inimitable, touching language of her graphic and sculptural works is universally understood and her haunting message is more topical than ever. Outraged at the societal and social ills of her time, Kollwitz devot...
A Window on the Italian Female Modernist Subjectivity
This collection of essays surveys some of the artistic productions by female figures who stood at the forefront of Italian modernity in the fields of literature, photography, and even the theatre, in order to explore how artistic engagement in women informed their views on, and reactions to the challenges of a changing society and a ‘disinhibiting’ intellectual landscape. However, one other objective takes on a central role in this volume: that of opening a window on the re-definition of the sub...
Three generations of humans have now been molded into results-oriented workers who cannot mess up, and therefore may never innovate either. Shared software, skills, and experiences equal no surprises. Surrounded by the unwavering, reliable results made possible by a machine, we all marinate in this ubiquitous cybersauce. Behold! Thousands of shiny new apps, sites, products, and services that look, feel, and are essentially the same. Because computers don't make mistakes.Chance is the natural foi...
Bodleian Library: Mrs Beetons Classic Dishes Wall Calendar 2025
by Flame Tree
Barbara Hammer: Pushing Out of the Frame by Sarah Keller explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Over the five decades that followed, she made almost a hundred films and solidified her position as a pioneer of queer experimental cinema and art. In the first chapter, Keller covers Hammer's late 1960s-1970s work and explores the tensions b...