Search results

Auschwitz. Hiroshima. Cambodia's killing fields. The World Trade Center. The mass graves of Rwanda. These places of violent death have become part of the landscape of tourism, an industry that is otherwise dedicated to pleasure and escape. In dark places like concentration camps, prisons, battlegrounds, and the sites of natural disasters, how are memory and trauma mediated by this thanatourism, or tourism of death? In "Death Tourism", Brigitte Sion brings together essays by some of the most tren...

Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner r...

Martha Wilson's career encapsulates the contestations of feminist and socially engaged art. In her work and throughout her life, Wilson has explored how identity and positioning are not merely given, self-defined or projected, but also negotiated. The complex nature of her work encompasses conceptually-based performances, videos and photo-text compositions since the early 1970s. Martha Wilson Sourcebook is a collection of primary research materials consisting of rare archival documents and excer...

Dinomania ★★★★★ ‘Wildly inventive theatre company Kandinsky return with a head-spinningly smart show about Victorian fossil hunters…No-one else makes theatre quite like this.’ Time Out Dinomania was originally commissioned by New Diorama Theatre, running from 19 February to 23 March 2019. 165 million years ago, an iguanodon is killed in the heart of a rainforest. Time passes, the rainforest becomes the South Downs, and every part of the iguanodon degrades and disappears – except one tooth....

The BBC Radio 4 comedy panel show that pits three comic generations against each other, presented by Simon MayoSimon Mayo hosts a comedic battle between three teams to find out which is the funniest generation. Will the Up and Comers, the Current Crop or the Old Guard be crowned as the Golden Age of Comedy?In these eighteen episodes, the contestants share their favourite jokes, trade comedic banter and go up against each other in quickfire rounds including ‘Generation Why’, in which they use sta...

This volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of...

Guerilla Performance and Multimedia is written by artists and for artists. It is designed for the benefit of artists engaged in creating original performance and multimedia work, including live art, installation, digital art and hybrids of theatre and visual art. Although there is no 'how to' in performance, no clearly defined 'industry' as such around the art form, this book stares unflinchingly into the headlights of the oncoming question: how do you make a living as an artist? This book offer...

"Hikaye" is an engaging study of Turkish romance by its leading contemporary student. lhan Basg'z presents vivid descriptions of the singers who perform these tales, the performance venues, interactions between singers and audiences, and the romance texts as artistic objects. Part of the fun is the playful interaction between the author and the seasoned characters who taught him their poetic craft. "Hikaye" will be the definitive work on this tradition, which has cognates in Persian and Arabic t...

A Journey of Art and Conflict is a deeply personal exploration of David Oddie’s attempts to uncover the potential of the arts as a resource for reconciliation in the wake of conflict and for the creative transformation of conflict itself. It began when Oddie, seeing the fractured world around him, asked himself what he could do to help; that question set him off on travels around the world, including to Palestine, Kosovo, South Africa, India, Northern Ireland, Brazil, and other places. In each l...

Performance art in Western Europe and North America developed in part as a response to the commercialisation of the art object, as artists endeavoured to create works of art that could not be bought or sold. But what are the roots of performance art in Eastern Europe and Russia, where there was no real art market to speak of? While many artworks created in the 'East' may resemble Western performance art practices, their origins, as well as their meaning and significance, is decidedly different....

Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists a...

This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna (1815-48) - a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which I have called Lundu, Aria, and Alleluia. The sound universe made up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque,...