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Museums flourished in post-apartheid South Africa. In older museums, there were renovations on the go, and at least fifty new museums opened. Most sought to depict violence and suffering under apartheid and the growth of resistance. These unlikely journeys are tracked as museums became a primary setting for contesting histories. From the renowned Robben Island Museum to the almost unknown Lwandle Migrant Labour Museum, the author demonstrates how an institution concerned with the conservation...

Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musee des Artistes Vivants in Pa...

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultu...

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war ef...

A visit to Paris can often seen like a highlight reel -- the Louvre, the Musee d'Orsay, the Eiffel Tower. But Paris isn't only about the big attractions; in fact, some might say it's the off-beat destinations that hold the greatest treasures. The Little(r) Museums of Paris takes a whimsical journey through these smaller destinations, from the fantastical to the bizarre, offering both a guide to the city and inspiration for armchair travelers. Rather than traveling by neighborhood, this charming...

International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, and their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice-based approach, this book joins efforts within the environmental humanities in seeking to widen co...

Stop wandering, start acting! Find out how museum guards can be to your advantage. Learn the rule of thumb to distinguish good art from bad art. How to Visit an Art Museum is a short, fun, and rewarding read, full of tips and inspiring illustrations to get the most out of your museum visit.

Over the last two decades, the encyclopedic museum has been criticized and praised, constantly discussed, and often in the news. Encyclopedic museums are a phenomenon of Europe and the United States, and their locations and mostly Eurocentric collections have in more recent years drawn attention to what many see as bias. Debates on provenance in general, cultural origins, and restitutions of African heritage have exerted pressure on encyclopedic museums, and indeed on all matter of museums. Is t...

Three Centuries of American Art in 1938 was the Museum of Modern Art’s first international exhibition. With over 750 artworks on view in Paris ranging from seventeenth-century colonial portraits to Mickey Mouse and spanning architecture, film, folk art, painting, prints, and sculpture, it was the most comprehensive display of American art to date in Europe and an important contributor to the internationalization of American art. MoMA Goes to Paris in 1938 explores how, at a time when the concept...

This rarely-seen map of the Moon originates from a 300-inch hand-drawn map produced by the engineer and amateur astronomer Hugh Percival Wilkins (1896-1960). Combining artistry with scientific precision, Wilkins's detailed map reveals the rugged terrain of our celestial neighbour. First published in 1946 as a 100-inch reproduction, Wilkins continued to revise and expand his observations and produced this third edition in 1951. Comprised of 25 sheets, it was subsequently used by amateur and pro...

Inside the Getty takes readers on a tour from the Getty Villa to the Getty Center, from the Museum's original home in J. Paul Getty's house to the many labs, libraries, and galleries that fill the Center in Brentwood today. Readers will discover more about the history and daily operations of this institution. The second edition refreshes the illustration program with more recent photography and brings the text up to date with new information about some of the Museum's most prominent new acqui...

This special issue of the Getty Research Journal comprises the most in-depth interdisciplinary look at Jackson Pollock’s work to date. The result of a five-year research project, the volume is centered around Pollock’s most important early painting, Mural (1943), the work that convinced the critic Clement Greenberg that Pollock was the key painter of his generation. Ten contributions by leading art historians, conservators, curators, and conservation scientists explore issues ranging from Polloc...

Determining the authorship and originality of artistic works is essential for fully enjoying art, and for the correct functioning of the market and many cultural centres. It is one of the tasks falling not only to institutions but also to artists' foundations, museums, public administrations, academics, gallery owners and art collectors. All those involved with this part of the artistic world encounter problems. This book, derived from an international seminar organised by the Gala-Salvador Dali...

An exceptional introduction to European paintings from the Middle Ages to the early 20th century through one of the greatest collections in the world. This richly illustrated and beautifully designed book offers an ideal introduction to European painting from the 13th to the early 20th century. The National Gallery, London, houses one of the finest collections of Western European art in the world. Its extraordinary range includes exceptional paintings from medieval Europe through the early Renai...

Der erste Gesamtüberblick über die Museumsgeschichte Berlins versammelt alle 227 Häuser: vom Alten Museum bis zum Zeughaus, von archäologischen und kunsthistorischen Sammlungen bis zu Naturkunde- und Technikmuseen, von der höfischen Kunstkammer des 16. Jahrhunderts bis zum Computerspielemuseum. Die beiden Kunsthistoriker Hans Georg und Katrin Hiller von Gaertringen richten dabei ihr Augenmerk besonders auf die Entstehungsgeschichte, Sammlungspolitik und Architektur. Der chronologische Aufbau des...

The state of not knowing or engaging with the unknown is an important aspect of all research. For artists it is crucial, as the making process often balances a strong sense of direction with a more playful or meditative state of exploration and experimentation. Art practice is not only a valid mode of philosophical enquiry but also provides ways of thinking and articulating knowledge that are not utilized by other disciplines. "On Not Knowing" emerges from an interdisciplinary symposium organiz...

An analysis of the contexts in which curating takes place: why curate art these days and in the name of which interests? If we ask where the curating of art occurs these days--in which places, which kinds of place, and how--apparent answers immediately appear: everywhere, expanding as if to ubiquity. Yet at the same time, we sense, with fragile purpose. In this, his newest book, Terry Smith explores the contemporary contexts of curating, looking for less apparent answers. It will map the dimens...

In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David’s exhibition of Interventi...

For quite a long time medieval works were not always recognized as art. They found their way into useums only with resistance, at first even as proof of their inferiority. Creating suitable presentations of these works remains a challenge for curators and collections to this day. This analysis of presentation methods, in the context of exhibitions, traces how museums have treated the Middle Ages from the early modern period to the present, and investigates a change in perception towards medieval...