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Sodi has described his creative process as controlled chaos that makes something completely unrepeatable and unique. In his most celebrated body of work, the artist mixes raw pigment with sawdust, wood, pulp, and natural fibers to create the dense surfaces of monochrome paintings. As the layers of material dry, fissured landscapes form without the guidance or intervention of the artist. Sodi's sculptural process reflects traditions of his Mexican heritage. At his studio, Casa Wabi, in Oaxaca,...

In The Eye and the Beholder the author singles out a topic already touched upon in her previous book, Colour in Sculpture. By raising the question of how significant the colouring of the eye is to figurative representations of the late medieval and early modern period, Hannelore Hägele examines the different solutions open to the sculptor, which vary depending on historical and cultural parameters. The created eye must suit purpose and style. She discusses a number of unusual aspects of this: sc...