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"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."—The New York Times Book Review.

A collection of essential quotations from the renowned fashion designer, DJ, and stylistAbloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who has established himself as a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West's creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, the first American of African descent to hold...

This first part, volume 2 of an eight-volume reset edition, traces the evolution of imperial and colonial ideologies during the British colonization of America. It covers the period from the founding of the Jamestown colony in Virginia in 1607 to 1783.

This book spotlights a complex art collection established at the intersection of modern art and social justice. In 1963, as civil rights protests swirled across the fiercely segregated state, this historically Black college became an unlikely hub in Mississippi envisioned as “an interracial oasis in which the fine arts are the focus and magnet.” Since its founding in 1869 by the abolitionist-led American Missionary Association, Tougaloo College has made the fight for equality central to its m...

On the late post-conceptual paintings of the influential artist and educator The Barbados-born, Seattle-based painter Denzil Hurley (1949–2021) was a quietly influential figure in the art world throughout his life, dedicating much of his time to teaching at the University of Washington and to championing other artists. Hurley’s interests in modular forms and structures involving squares and rectangles led him to consider the interconnectivity and conjunctions of paintings and signs, material an...

Published for the artist's solo exhibition at the Saint Louis Art Museum, this new series of paintings by Brooklyn-based painter Kehinde Wiley (born 1977) reenvisions the museum's holdings as a starting point for succinct observations about representation throughout the history of art. Through a process of street casting starting in 2017, Wiley invited residents he met in the neighborhoods of north St. Louis and Ferguson to pose for his paintings. The artist then created portrait paintings inspi...

Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Je...

1989, the number is an exploration of the year 1989 through politics, personal history and culture. This chapbook plays like a mixtape incorporating the hottest records and stories of 89 and reflecting their relevance for today.

Blending the personal with the political, Los Angeles–based artist Rodney McMillian (born 1969) has worked in a range of mediums and materials, including sculpture, painting, video, performance and immersive environments, to explore themes of class, gender, race, social history and culture. His work frequently incorporates “post-consumer” and found objects as well as techniques of interactivity and performativity. This volume surveys McMillian’s performance-based work to date and documents the...

An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist’s 50-year career—an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall...

Essays by Marsha MacDowell, Darlene Clark Hine, Cuesta Benberry, and Bill Harris examine the history and meaning of quilting in individual artist's lives and within the contexts of community and family. Also included are excerpts of interviews with quilters Sarah Carolyn Reese, Ione Todd, Deonna Green, and Rosa Parks. In recent years, the study of quilts and quiltmaking has provided Americans with a new vehicle for understanding their past. In the spirit of this renewed interest, African Americ...

Clark Atlanta University Art Galleries in Atlanta, Georgia celebrates the seventieth anniversary of the founding of its permanent collection and the sixtieth anniversary of the unveiling of the Art of the Negro murals with this commemorative volume. Initially conceived with works selected from annual exhibitions, the collection today constitutes a rare and remarkable assemblage of African-American art. In the Eye of the Muses tells the story of the Atlanta University Art Annuals held between 194...

This book presents a comprehensive overview of Walker's work, beginning with her first cut-paper wall installation, 'Gone, An Historical Romance of a Civil War as It Occurred between the Dusky Thighs of One Young Negress and Her Heart'.

Curtis Cuffie (1955–2002) was an artist who lived and worked in and around the East Village from the mid-1980s until his untimely death in the early 2000s. He moved to New York from Hartsville, South Carolina, as a teenager and lived unhoused for long stretches of his adult life. Cuffie found local notoriety for the way he adorned the streets of downtown New York, collecting what the city provided, often sifting trash to stage on-the-spot sculptures along the Bowery and Cooper Square. His arr...

A long-form collaborative exploration of images and their enduring traces on the American landscape In 2012, Leslie Hewitt (born 1977) and Bradford Young (born 1977) produced Untitled (Structures), a series of silent, nonlinear film vignettes that grew out of an invitation from the Menil Collection, Houston, to consider the museum’s civil rights–era photograph collection. The invitation, which inspired years of research into the aftereffects of the Great Migration, the civil rights movement and...