GRAFFITI VERITE' 17 (GV17) Special 1974 Commemorative Reissue Series IMPRESSIONS A Black Arts and Culture Magazine
by Robert Bob Bryan
With the appearance of the urban, modern, diverse "New Negro" in the Harlem Renaissance, writers and critics began a vibrant debate on the nature of African-American identity, community, and history. Nadell offers an illuminating new perspective on the period and the decades immediately following it in a fascinating exploration of the neglected role played by visual images of race in that debate.
Grafton Tyler Brown - whose heritage was likely one-eighth African American - finessed his way through San Francisco society by passing for white. Working in an environment hostile to African American achievement, Brown became a successful commercial artist and businessman in the rough-and-tumble gold rush era and the years after the Civil War. Best known for his bird's-eye cityscapes, he also produced and published maps, charts, and business documents, and he illustrated books, sheet music, adv...
Mounting Frustration (Art History Publication Initiative)
by Susan E. Cahan
In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.
Hear Me Now
Nineteenth-century stoneware by enslaved and free potters living in Edgefield, South Carolina, highlights the central role of Black artists in the region’s long-standing pottery traditions This in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figur...
