Boredom (Whitechapel: Documents of Contemporary Art)
Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.Without boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism's retreat into abstraction through subsequent deman...
The first graphic novel on de Saint Phalle tells the story of how a self-taught feminist artist became a worldwide sensation, a radical promoter of gender equity and a champion of social justice. Few artists’ lives are as inspiring as that of Niki de Saint Phalle. While she started her career as a fashion model, a subsequent breakdown led to her taking up painting as therapy. Entirely self-taught, Niki spent the rest of her years devoted to art that was based in emotional truth and a feminist...
A masterful survey of Luc Tuymans's most recent works, remaking painting as a medium for our times The Belgian artist Luc Tuymans (b. 1958) is widely recognized as having contributed to the revival of painting in the 1990s; his career has shaped the possibilities and cultural presence of the medium. The works in this third volume of his catalogue raisonne, covering the past decade, show Tuymans at his most virtuosic, subtly but provocatively addressing topics such as religion, corporatization,...
These volumes present John Kinsella's uncollected critical writings and personal reflections from the early 1990s to the present. Included are extended pieces of memoir written in the Western Australian wheatbelt and the Cambridge fens, as well as acute essays and commentaries on the nature and genesis of personal and public poetics. Pivotal are a sense of place and how we write out of it; pastoral's relevance to contemporary poetry; how we evaluate and critique (post)colonial creativity and int...
Shameless. a Collection Within Contemporary Art and Human Being Supremacy
by Jason Art
In Residence chronicles the important history and legacy of the Artist-in-Residence Program at Dartmouth College, which began in 1931 when the Guatemalan painter Carlos Sanchez, Class of 1923, was invited back to campus on a yearlong fellowship. The publication showcases the work of more than eighty artists who have participated in this acclaimed international program since that time, including Charles Burwell, Walker Evans, Louise Fishman, Donald Judd, Magdalene Odundo, Jose Clemente Orozco, Ro...
Arshile Gorky - The Plow and the Song: A Life in Letters and Documents
by Matthew Spender