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Rainbow Like an Emerald is the most comprehensive study of Lorraine stained glass as a regional style developed in conjunction with the typical Gothic architecture of the province. Situated between France and Germany, medieval Lorraine increasingly looked to France for it cultural standards. While French in inspiration, however, its Gothic architecture and stained glass quickly developed strong regional and distinctive characteristics. This architecture has only in the last decade been studied,...

Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded a...

Illustrated with eight pages of color plates and scores of black-and-white illustrations, a ground-breaking investigation of the Gothic style in art and literature ranges from the seventeenth century to the contemporary rock band, The Cure.

A brilliant new reading of the Bayeux Tapestry that radically alters our understanding of the events of 1066 and reveals the astonishing story of the survival of early medieval Europe's greatest treasure. This edition does not include illustrations. The Bayeux Tapestry was embroidered (it's not really a tapestry) in the late eleventh century. As an artefact, it is priceless, incomparable - nothing of it's delicacy and texture, let alone wit, survives from the period. As a pic...

Both this book and the exhibition, Gothic and Renaissance Art in Nuremberg, document the artistic vitality of one of the most influential urban centers in Europe to arise at the end of the Middle Ages. The selection of specific works of art, and the essays that illuminate them, give a clear focus to the period from the fourteenth through the first half of the sixteenth century. This was a transitional and pivotal time for Nuremberg in its evolution from an important but artistically self-contain...

This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became th...

The book series of the University of Applied Art Vienna Edition Angewandte, published by Birkhäuser Basel and De Gruyter Berlin/Boston, comprises anthologies, documentations, and monographs with a focus on architecture, visual and media art, design, conservation and restoration, art theory, art pedagogy, art education, and language arts. Appearing since 2007, the series has become widely known and recognized as an established platform for relevant publications from art and science. The books are...

Stretching from the ancient Chinese capital of Xian across the expanses of Central Asia to Rome, the Silk Road was, for 1,500 years, a vibrant network of arteries that carried the lifeblood of nations across the world. Along a multitude of routes everything was exchanged: exotic goods, art, knowledge, religion, philosophy, disease and war. From the East came silk, precious stones, tea, jade, paper, porcelain, spices and cotton; from the West, horses, weapons, wool and linen, aromatics, entertain...

Barbara H. Rosenwein's bestselling survey text continues to stand out by integrating the history of three medieval civilizations (European, Byzantine, and Islamic) in a lively narrative that is complemented beautifully by 70 full-color plates, 46 maps, and 13 genealogies, many of them new to this edition. The fourth edition begins with an essay entitled "Why the Middle Ages Matter Today," and the book now covers East Central Europe in some depth. This edition includes three "Seeing the Middle Ag...

There is a long tradition of collecting rings dating back to the 17th century when their significance was first appreciated in Europe although their use and manufacture dates back to antiquity. Well-known collections were made by enthusiasts as diverse as the French aristocrat Baron Jérôme Davillier (1815-1890), whose collection included the ring of the Black Prince found in the ruins of the Castle of Montpensier in 1866, and C. D. Fortnum (1820-1899) whose income came from the famous grocery s...

This volume presents a selection of 25 studies which are grouped into a number of topics on late-Antique and medieval art. The art of the Middle Ages is treated not as a succession of styles, but is analysed as an unstable value system, which seeks to prove its own legitimacy by claims and ideologies. Although works of art are not legal documents, they evoke frequently a religious or political self-conception. The author shows how the medieval artist brought into the world new creations under co...

Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two...