Born in Diourbel on October 5, 1957, Kalidou Kasse is a Senegalese artist, painter, weaver and sculptor whose perspective for the legitimization of African contemporary art has given birth to several prize-winning work and exhibitions all over the world. His unique style of threadlike characters in a background of lively and brilliant colours describes a poetic and charming world painted with a constant concern for forms, details and colours. From a historic point of view, he is the artist who h...
'San Art' is the title of a book that provides a comprehensive introduction to the variety and independent character of the arts of the San communities (also known as bushmen) living in southern Africa. After only a few years, specific support for promising artists led to the creation of a lively art scene. By now the prints and oil paintings generated under the auspices of the cultural project "Schmidtsdrift/South Africa", regularly find their way into international galleries and collections. T...
The unique cultural landscape of southern Africa (Nambia, Zimbabwe, Botswana, Mozambique and South Africa) is a highly dynamic and complex area where old traditions are confronted by explosive social and political upheavals. The resulting contradictions and conflicts stimulate a directions as well as ancient roots. The collection of highly varied essays by knowledgeable experts on Africa ranges from historical and political problems to questions of artistic production and of how to deal with cul...
There is scarcely an Egyptian temple, pyramid, obelisk, wall painting or sculpture that does not possess some hidden meaning which can only be understood by reference to the symbolic code used by the ancient Egyptians. This book reveals the language of this code, including hieroglyphic signs, colour symbolism, the magical meaning of numbers, gestures of the body, the significance of size and shape and of location. The guide sets out to allow the reader to see and understand the formal structure...
Egyptian Art : The Walters Art Museum
by Matthias Seidel, Regine Schulz, and Betsy M. Bryan
This volume is the latest in a growing list of beautifully illustrated titles about some of the most significant and popular subjects in art history and archaeology published in association with the Walters Art Museum. It presents 79 objects from the museum's internationally renowned collection of ancient Egyptian art, ranging in date from the early dynastic to the Roman period.An introductory overview of Egyptian art is followed by the main presentation of artworks, which are divided into six c...
The first publication on the Yorùbá master sculptor Moshood Olúṣọmọ BámigbóyèBámigbóyè: A Master Sculptor of the Yorùbá Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olúṣọmọ Bámigbóyè (ca. 1885–1975). One of the most important Yorùbá sculptors of the twentieth century, Bámigbóyè is best known for the spectacular masks that he carved for religious festivals known locally as Ẹpa. Weighing up to 80 pounds and measuring over 4 feet tall, with intrica...
Guinea is rich, both materially and culturally, with the world's largest bauxite reserves, gold, diamonds and iron ore. It abounds in culture and traditions and has a remarkable, if often turbulent, history. Guinea is also exceptional in that it was the first French colony proudly to declare its independence, in 1958. Thereafter, the country suffered under the tyranny of Sekou Toure. Today, headed for the first time by an elected president, Guineans are trying to put their troubled past behind t...
Traditions céramiques Identités et Peuplement en Sénégambie (British Archaeological Reports International)
by Moustapha Sall
The top artistic quality of Berber carpets has already been a source of inspiration to artists such as Paul Klee and Le Corbusier. This book reveals a new slant on the origins of Berber carpets and on the sources and meanings of its motifs. Genuine Berber carpets are not the successors of well known Oriental carpets dating from the Islamic era but similarities in knotting techniques and certain motifs point to common roots harking back to the Neolithic period in Asia Minor. Because textiles wear...
In capturing the fraught relationships among people and their environments, Otobong Nkanga illuminates the social, political, and economic histories—and legacies—of colonialism. This beautifully illustrated book, which focuses on Nkanga’s drawings, showcases the artist’s compelling and thought-provoking oeuvre. An essay by Museum of Contemporary Art Chicago curator Omar Kholeif reveals the rich background of Nkanga’s varied subjects, including the historical realities of Nigeria and memories of...
A richly illustrated overview of the current-day knowledge on the textile art of the Nile Valley from the first millennium AD, in response to the 9th conference on 'Textiles from the Nile Valley' in Antwerp of 27-29 October, 2017. This is one of only a handful of books devoted to the textile art of the Late-Roman, Early-Byzantine and Early-Islamic textile art in Egypt. Over 20 essays by specialists elaborate on the pieces of textile art that were found in excavations and museums, and discuss the...
African Masks Postcard Book (Prestel postcard book)
by Prestel Publishing
- Strongly bound: The cards can be easily and cleanly removed. - Eighteen cards per pack. Half the price of buying individual postcards. - Each postcard book includes an introductory text about the artist(s).
Robert Farris Thompson, Professor of the History of African and African-American Art at Yale University, has been working on this study of African-Atlantic altars for twenty-five years. Face of the Gods is based on fieldwork in both Africa and the Americas - in Mali, Ghana, Benin, Nigeria, Zaire, the Central African Republic, Angola, Zimbabwe, and South Africa, on the eastern part of the Atlantic, and in Cuba, Haiti, Puerto Rico, Suriname, the United States, Brazil, and Argentina, on the western...
Emerging in the realm of popular entertainment, Jean-Charles Langlois’s Panorama of Algiers (1833) drew an audience in much the same way that the arcades drew consumers. Just as the consumption of material goods never fully satiates the consumer, the landscape of Algiers, as represented in Langlois’s panorama, kept the French coming back for more. This monumental painting—the result of Colonel Langlois’s involvement in the 1830 siege of Algiers—offered a French audience a spectacle of the furthe...
incarNations is at once a mix and exchange between classical and contemporary art from Africa and its diasporas, looking at African art as a living philosophical practice. The masks, images and historic objects act as milestones, anchoring contemporary works in the ancient context of live creation. Taken from Sindika Dokolo's collection, the works of African artists enter into dialogue with those of the diaspora while contemporary works are presented alongside classical works. Artists: Sammy Ba...
The Julie and Robert Breckman Print Fund has enabled purchases by such art world stars as Damien Hirst, Julian Opie, Chris Ofili, Grayson Perry and Rachel Whiteread to name but a few. The collection is also home of a wide range of other print acquisitions that encompass everything from topographical prints, fashion plates, wallpapers and caricatures to posters, packaging and playing cards, as well as prints by street artists, and often challenging contemporary prints and multiples. This book inc...
Verzeichnis Der in Der Formerei Der Königl. Museen Käuflichen Gipsabgüsse (Koenigliche Museen Zu Berlin)
World on the Horizon
The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-...