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For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, and recycled and cast-off objects that articulate America’s painful past – the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early twentieth century to today and respond to issues ranging from...

"Subverting Modernism: Cass Corridor Revisited 1966-1980" is an exhibition catalog created to accompany a show of the same title to be held at Eastern Michigan University in the spring of 2013. In decline since the 1950s, the Cass Corridor, an area near Wayne State University in Detroit, witnessed an intense efflorescence of artistic activity in the late 1960s and the 1970s. Conventional wisdom has held that these Cass Corridor artists, as they have come to be called, were essentially "urban exp...

A timely exploration of artists whose work addresses the subject of conspiracy and media manipulation in modern culture Shaped by events such as the assassination of John F. Kennedy, the Vietnam War, Watergate, the Iran-Contra affair, and 9/11, conspiracy theories have flourished and influenced our collective worldview. This provocative book examines how artists from the 1960s to the present explore both the covert operations of power and the mutual suspicion between governments and their citize...

The Essex-Suffolk borderlands have always produced and attracted great artists, and the association of contemporary artists and craft workers within this part of England is equally significant. Yet until recently there has been no major arts centre which could highlight that heritage. Firstsite is that building: located in Colchester, Britain's fastest growing town, the building is designed by international architect Rafael Vinoly. Opened in September 2011, it is a model for arts-led urban regen...

What is "camp"? Drawing from Susan Sontag’s seminal essay, this striking volume explores its meaning and its expression in fashion from its origins to today“[An] amazing catalogue. . . . Extraordinary.”—Christiane Amanpour, CNN Although an elusive concept, “camp” can be found in most forms of artistic expression, revealing itself through an aesthetic of deliberate stylization. Fashion is one of the most overt and enduring conduits of the camp aesthetic. As a site for the playful dynamics between...

The Scene Changes gives prominence to manifestations of lurking excess: illusive and thought-provoking scenes, portraits and landscapes, by artist Paul Segers. In his work, threatening signs of acceleration, polarisation and technological overload are configured. As many certainties of the past are overturned, the surreality of “the outsider” might become more acceptable to conservatives’ eyes’ experience. Paul Segers builds on the hypothetical opportunities of the settings in these scenes, d...

An examination of the innovative portrayals of industry and leisure created by five avant-garde artists working at Asnières in the late nineteenth century From 1881 to 1890, Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand chose Asnières, a suburb of Paris, as a site of artistic experimentation. Located on the Seine, Asnières became a popular destination for Parisians thanks to aquatic sports and festivals starting in the 1850s, facilitated by the arrival of new...

Showcases familiar and little-known paintings from The Royal Collection and other public and private houses across the country Charles II's reign was a period of revolutionary experimentation: in science, art and sexual etiquette. For the first time in British history, Royal mistresses - such as Nell Gwyn - played an active, public role in court life. Women sensed new possibilities and freedoms, appearing on stage, managing their own financial, matrimonial - and extra-marital - affairs. Encourag...

Creative Ireland provides a rigorous appraisal of Irish contemporary visual arts practice across all forms of media. It profiles 100 leading Irish visual artists active between 2000–2011, including Gerard Byrne, Dorothy Cross, Blaise Drummond, McDermott & McGough, Tom Molloy, Richard Mosse, Clive Murphy, Seamus Nolan, Alan Phelan, Hannah Starkey and Donovan Wylie.

Inspired by Paul Gauguin in the last decade of the nineteenth century, the Nabis saw themselves as prophets of a new art. This vibrant illustrated book showcases rarely seen paintings, prints, and decorative arts by the visionary artists associated with the Nabis: Pierre Bonnard, Maurice Denis, Henri Evenepoel, Aristide Maillol, Paul Ranson, Ker-Xavier Roussel, Felix Vallotton, Edouard Vuillard, and others. Essays by leading scholars of European modernism explore the relationship between Nabi a...

Clark Atlanta University Art Galleries in Atlanta, Georgia celebrates the seventieth anniversary of the founding of its permanent collection and the sixtieth anniversary of the unveiling of the Art of the Negro murals with this commemorative volume. Initially conceived with works selected from annual exhibitions, the collection today constitutes a rare and remarkable assemblage of African-American art. In the Eye of the Muses tells the story of the Atlanta University Art Annuals held between 194...

When the inscription "Made by Nathan Lumbard Apl 20th 1800" was found in the late 1980s on a chest of drawers, the identity of an unknown craftsman suddenly surfaced. Crafting Excellence introduces the striking achievements of cabinetmaker Nathan Lumbard (1777 1847) and a small group of craftsmen associated with him. Working initially in the village of Sturbridge, Massachusetts, these artisans fashioned an array of objects that rank among the most colorful and creative of Federal America. Recent...

A new examination of the art and influence of artist John Graham and his circle, whose works and ideas contributed to the advancement of American modernism in the interwar period The enigmatic and charismatic John Graham (1886–1961) was an important influence on his fellow New York artists in the 1920s through 1940s. Graham and his circle, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, helped redefine ideas of what painting and sculpture could be. They, along with others in G...

The Courtauld Collection: A Vision for Impressionism accompanies a landmark exhibition at the Fondation Louis Vuitton in Paris exploring Samuel Courtauld’s role as one of the great collectors of the twentieth century. The catalog and exhibition showcase Courtauld’s extraordinary collection, which will be on display in Paris for the first time in over sixty years. One of the finest collections of Impressionism anywhere in the world was assembled by the English industrialist and philanthropist Sa...

Accompanying Look for Me All Around You, one of the three sections of Sharjah Biennial 14, this book charts a non-chronological time-space (dis-)continuum between the Americas and the Emirates, building unexpected trans-oceanic and multi-diasporic bridges for a global history. This volume provides interpretative, discursive, poetic, political, and theoretical tools to compare and contrast modes of migration, production, extraction, and exploitation through a series of 30 newly commissioned conte...