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Published in Latin in 1516, "Utopia" is one of the most influential books in the Western philosophical and literary tradition and an achievement of Renaissance humanism. This edition combines More's Latin text with an English translation, a commentary, a textual guide and an introduction.

Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged. In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, le...

The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This stimulating book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new professional identity was based on expertise in the mathematical arts and sciences. Featuring drawings, instruments, p...

The floating city of Venice has enchanted visitors for centuries with its maze of scenic canals. For this pioneering book, Daniel Savoy set out by boat to explore the built environment of these waterways, gaining new insights into the architectural history of this major early modern Italian center. By viewing the architecture and experience of the canals in relation to the production of Venetian civic mythology, the author found that the waterways of Venice and its lagoon were integral areas of...

Although the sixteenth-century Italian master-architect Andrea Palladio (1508-1580) designed many classically inspired buildings among them a number of town palaces and other buildings in Vicenza, a series of villas in the Vicentine countryside, and three Venetian churches his reputation was principally made by his Quattro Libri dellArchitettura (1570). The work remained influential for many years after its publication, and was eventually to lead to a revival of Palladian style in northern Europ...

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of li...

A writer studies a famous work of art only to see herself and her own cultural moment revealed at its heart. Jeannie Marshall lived in Rome for ten years without visiting the Sistine Chapel: she didn't want to have a superficial experience of the frescos, but she wasn't sure how, amidst the crowds of tour groups and the noise of pop culture allusions, she could have anything but. What's more, she wondered what this very old, very Catholic art, created by a man who grew up under the warm Tuscan...

Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence...

This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was con...