Simone Martini in Orvieto

by Nathaniel Silver

Machtelt Bruggen Israels, Joanna Cannon, Christopher Etheridge, Stephen Gritt, Carl Brandon Strehlke, Alison Wright, Gianfranco Pocobene, and Nathaniel Silver (Editor)

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Book cover for Simone Martini in Orvieto

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A New York Times best art book of 2022

New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini

Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in over thirty years—is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone’s early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone’s patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece.

Distributed for the Isabella Stewart Gardner Museum 


Exhibition Schedule:

Isabella Stewart Gardner Museum, Boston
(October 13, 2022–January 16, 2023)
  • ISBN10 0300262248
  • ISBN13 9780300262247
  • Publish Date 11 October 2022
  • Publish Status Active
  • Publish Country US
  • Imprint Yale University Press
  • Format Hardcover
  • Pages 240
  • Language English