The Heroine with 1001 Faces

by Maria Tatar

How do we explain our newfound cultural investment in empathy and social justice? For decades, Joseph Campbell had defined our cultural aspirations in The Hero with a Thousand Faces, emphasising the value of seeking glory and earning immortality. His work became the playbook for Hollywood, with its many male-centric quest narratives.

Unsatisfied with Campbell’s once-canonical work, Maria Tatar explores how heroines, rarely wielding a sword and deprived of a pen, have flown beneath the radar even as they have been bent on social missions. Using the domestic arts and storytelling skills, they have displayed audacity, curiosity and care as they struggled to survive and change the reigning culture. Animating figures from Ovid’s Philomela, her tongue severed yet still weaving a tale about sexual assault, to Stieg Larsson’s Lisbeth Salander, a high-tech wizard seeking justice for victims of a serial killer, The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present.

• ISBN10: 1631498819
• ISBN13: 9781631498817
• Publish Date: 29 October 2021 (first published 14 September 2021)
• Publish Status: Active
• Publish Country: US
• Publisher: WW Norton & Co
• Imprint: Liveright Publishing Corporation
• Format: Hardcover
• Pages: 368
• Language: English

Reviews

[annieb123]

Originally posted on my blog: Nonstop Reader.

The Heroine with 1001 Faces is an immersive folklore based examination of the heroine archetype in the collective cultural consciousness written and presented by Dr. Maria Tatar. Released 14th Sept 2021 by W.W. Norton on their Liveright imprint, it's 368 pages and is available in hardcover, audio, and ebook formats.

This is an erudite, very well written, layperson accessible look at the archetypes and portrayals of women in cultural narrative from the ancient world to the 21st century. It's a meticulously researched and annotated survey course and also, in a way, a companion volume (rebuttal?) to Campbell's Hero With A Thousand Faces. I loved poring over the illustrations as well as the exhaustive bibliography and full chapter notes and annotations. The chapter notes are likely worth the price of admission for anyone interested in the subject and there's obviously been a swoonworthy amount of time spent on research and resource gathering on the part of the author. I took notes during the read and harvested an impressive number of items which warranted further examination later.

I found the entire book quite interesting and fascinating. It is, admittedly, a niche book but will definitely appeal to readers interested in cultural anthropology. It's not a very easy read. The language is rigorous and formal. I definitely don't think it's inaccessible for the average reader, but it will take some effort (and I think that's a good thing). This would make a good support text for classroom or library use, for cultural anthropology and allied subjects, as well as a superlative read for those who are particularly interested in history, culture, and the arts.

Five stars. This is well and deeply researched and engaging.

Disclosure: I received an ARC at no cost from the author/publisher for review purposes.