All the Murmuring Bones

by A.G. Slatter

Aoife McMahon (Narrator)

• ISBN10: 1004033532
• ISBN13: 9781004033539
• Publish Date: 8 April 2021 (first published 9 March 2021)
• Publish Status: Inactive
• Out of Print: 9 July 2024
• Publish Country: GB
• Imprint: W F Howes Ltd
• Edition: Unabridged edition
• Format: Audiobook (CD)
• Duration: 10 hours and 47 minutes
• Language: English

Reviews

[Witty and Sarcastic Bookclub]

What happens when you renege on a deal with a monster? Miren O’Malley is the last daughter of true O’Malley lineage. The family used to be mighty and successful, but that luck (is it just luck?) has dwindled as surely as their bloodline has. There have always been rumors about how the O’Malleys managed to be so rich and successful for so long, but the truth has been kept strictly secret. This is where All the Murmuring Bones starts.

Miren’s grandmother is the matriarch of the O’Malleys and is desperate to regain some of their lost glory. She plans to marry Miren off to a rich, abusive jerk. Needless to say, this doesn’t sit well with Miren. She flees, but is followed-not just by her intended, but by the mer.

These aren’t your Disney merfolk. The mer are dangerous and mysterious. I loved everything about them. In fact, they are not the only wild and savage creatures of legend that make an appearance. Rusalka, kelpies, and more give All the Murmuring Bones a dark mythical feel that drew me in.

Miren is smart, capable, and no stranger to bloodshed. There is no boundary she is unwilling to cross to keep her life and her freedom. Her flight to safety turns into a quest for answers and the switch is fascinating and brilliant. I’m used to gothic novels sticking to a single setting. However, Miren’s travels allow the world and plot to open up magnificently.

I did feel there was a misstep here and there. For example, the ending wraps everything up in a neat little bow that feels a little out of place considering the path the rest of the book takes. I would have liked seeing parts of the story left, if not unexplained, at least a little enigmatic. Also, the climactic event was over sooner than I was hoping. It felt a teensy bit rushed. However, these are small complaints in the grand scheme of things and the rest of the book is really stinking good.

All the Murmuring Bones is a gothic novel that hits all the right points. I highly recommend it.

https://wittyandsarcasticbookclub.home.blog/2021/03/30/all-the-murmuring-bones-by-a-g-slatter/
This review was originally published in Grimdark Magazine. You can find the link: https://www.grimdarkmagazine.com/?s=all+the+murmuring+bones

[Jo]

I received this eProof for free from Titan Books via NetGalley for the purposes of providing an honest review.

Trigger and content warnings are under spoiler tags.

Trigger/Content Warnings: This book features violence against women, murder by burning alive, and mentions of forced marriage and incest.

All the Murmuring Bones by A. G. Slatter sounded absolutely right up my street! A dark and gothic original fairy tale? Featuring mythological water creatures, especially merfolk? Exactly my cup of tea! Unfortunately, All the Murmuring Bones was a crushing disappointment.

First of all, the description had me thinking that Miran's grandmother was going to try and sacrifice her to the mer, despite being an adult. This is not the case. Instead, she tries to force her into a marriage with a rich and abusive cousin. This is, of course, terrible, but considering it's a historical fantasy, it's not exactly surprising. It turns out that Miren actually knows of the sacrifice made to the sea of a child each generation. This isn't some dark family secret; while no-one else knows, it's common knowledge in the family. But she definitely doesn't want to be sold against her will to a violent man, so she runs.

And that is pretty much the story for the first three quarters. Once Miren is on the run, she spends chapters and chapters trying to get somewhere called Blackwater, a place no-one seems to have heard of, where the only directions are North, more or less. And very little of any real import happens for so long. That's not to say nothing happens. There are instances of potantial danger along the way, but I failed to see the point. The did not further the story; they were not important to the plot. Take them out, and the story would not be effected. These kinds of things are meant to be removed during editing - if it's not important to the story, it doesn't need to be there. But without these instances - of which there were maybe three - we would literally have just chapters and chapters of Miren travelling with absolutely nothing happening. So while, yes, we have ghosts, and rusalki, and an automaton with maybe a soul trapped inside (the latter of which I was very intrigued by and thought would probably have a point), none of it really matters, except one as a convenient plot device. And each of these moments is so incredibly short, it barely breaks up the monotony of Miren's travelling and being stuck in her head.

Because a lot of the story is Miren thinking, and she is so very annoying. And I personally feel she wasn't written very well. She is melodramatic and desperate, but in a way that had me constatly rolling my eyes. The situation she finds herself in is terrible, and I should care; her reactions, her emotions should have me feeling for her. I should feel sympathy, concern, worry, but she is written in such a way, that I just wanted her to give ti a rest. She is thinking, all the time, constantly asking herself questions. But it's literally question after questions; there's no, "I consider..." or "I wonder..." or even "I think about..." It's just an excessive amount of questions. The same questions are repeated, as are other thoughts and ideas. Over and over. It's just monotonous. Honestly, the only reason I kept reading is because the story was quite a quick read, so I got through good chunks of it in short spaces of time.

The story finally picks up around the last quarter. Things finally get moving, and the real mystery of the story is discovered. My interest was piqued. But while things started to get interesting, Miren ends up figuring things out with the barest evidence. She's back to thinking again, asking herself questions, and deciding what she believed to be the truth - and being right - with nothing pointing in that direction. It was just ridiculous.

I did like the various fairy tales that Miren tells herself, memorised from a family book, of various water creatures. They were quite short, though, and I would have preferred them to be longer. But again, for the most part, they weren't really necessary to the story. Most of them could have been removed. It's through the stories she tells herself that we find most of the mythological water creatures in this book. It's not really about them; not even the mer play a huge part of the story. The story is Miren escaping and finding out a family secret. The mer are there because of a pact made long ago. That's it. It was reading the author's note though, that finally made things fall into place. All the stories told, plus other aspects of the story that didn't really amount to anything, plot-wise, are stories Slatter has had published in short story collections. All the Murmuring Bones is a novel set in the world of two of her short story collections. These elements weren't needed, but were included anyway, because All the Murmuring Bones is a vanity project. This monotonous story where nothing really happens for a lot of the time was written to give Slatter's short stories more meaning. I personally think it failed.

All the Murmuring Bones just didn't really work for me at all. I really didn't enjoy it. But just because I didn't, doesn't mean you won't. Do read other reviews before deciding whether or not you'll read it yourself.