Veronica đŠŠ
Written on Dec 14, 2017
Despite its interesting subject matter, Peirceâs [b:Empress of the East: How a European Slave Girl Became Queen of the Ottoman Empire|33773618|Empress of the East How a European Slave Girl Became Queen of the Ottoman Empire|Leslie Peirce|https://images.gr-assets.com/books/1484074638s/33773618.jpg|54651456] is a terribly written & biased piece that lacks structure, neglecting to include important information at logical junctures. More alarmingly, she distorts & exaggerates historical fact to embellish her subjectâs power & influence, caters to fans of the ruthless second wave feminism trope, & ultimately tries to spin history into a fairytale rags-to-riches story. In the attempt to exonerate HĂŒrrem & frame her as a heroine worth rooting for, Peirce presents her as far too brilliant, far too powerful, & far too perfect. Peirceâs HĂŒrrem can do no wrong; she is intelligent, politically aware, & a keen manipulator of circumstance, but at the same time indisputably innocent of charges leveled against her - not even to ensure one of her sons would take the throne. Conversely, those who stood against HĂŒrremâs success like Mahidevran, Ibrahim, & Mustafa are consistently painted in a far more negative light. Their importance is watered down, their merits are downplayed, & their figures presented dismissively order to serve the narrative & make HĂŒrrem look better.
When compared to her academic work, Empress falls flat on itself. While the prose is easy to read, Peirceâs writing falters as she attempts to write for a general audience. Rather than providing a scholarly analysis backed up by historical evidence, she favors a biased narrative that relies heavily on speculative âimaginingâ, value judgments, & tenuous yet sweeping claims. Her use of romantic & idyllic language drags down her writing rather than lift it up, & uncritically attempts to frame HĂŒrrem & SĂŒleymanâs relationship as a love story. The concluding statement of the introduction provides no better example of Peirceâs modus operandi, in which she asserts the Ottoman Sultanateâs survival was largely âbolstered by the reforms she introducedâ, a process âgenerated along with the Ottoman empireâs greatest love story.â
This language is typical in the book. Peirce forces the reader to see the Ottoman world through her lens & adopt her wishful imagings, instead of allowing them to form their own views & imagine independently. Her âspeculationâ includes comparisons that make little sense, all the while implying that HĂŒrrem âmust have thoughtâ of such things herself! Peirce notes that women forced into sexual servitude may not have viewed their status positively, yet at one point abhorrently tries to justify it because of the âcompensationsâ - that these women âmustâ have known they probably wouldnât have had easy lives or happy marriages in their homelands, & would be comforted that, even as palace slaves, they could at least live in the lap of luxury: âAn emotionally & sexually fulfilling marriage had not necessarily been in store for them in their hometowns & villages. The common practice of arranged marriage could saddle them with husbands who were unattractive, considerably older, or even brutal. Mostly peasants, they were more likely than not destined for a life of daily toil - perhaps poverty - early death. The dynastic family to which they now belonged at least kept them in luxurious comfort - good health.â
Of course, no one knows what HĂŒrrem thought during certain events; suggestions that she would have connected herself to other women in history, or compare the converted Ayasofya to her own experience, do not belong in a biography. Peirce can speculate - draw conclusions based on the facts that she has. However, she canât lead readers to imagine that HĂŒrrem ever thought of what architectural endeavors she might take on should she succeed with SĂŒleyman, sympathized with Anne Boleyn, or compared herself to GĂŒrcĂŒ Hatun (a Christian-born consort beloved by a Muslim ruler) - Byzantine royals like Eirene; that SĂŒleyman instructed her in the art of war, tutored her as a diplomat, or gave her a say in how the design of the new palace harem, especially whilst SĂŒleymanâs mother Hafsa was alive. Thereâs no evidence for any of these things. Such fanciful scenarios are better suited for a work of historical fiction - & considering how Peirce omits pertinent information she herself described in The Imperial Harem to suit the narrative, she might as well have written a novel!
Empress gives the impression that it was by marrying SĂŒleyman that HĂŒrrem became a âqueenâ & obtained the stature that she had. However, this is not the case. Although Peirce mentions that noblewomen married Ottoman sultans in prior centuries, she neglects to inform the reader that because royal wives were barred from having children, they were not as powerful as their slave counterparts who did. âWomen without sons were women without households & therefore women of no status,â she summarized in Harem. Because the Ottomans granted greater prestige to women who bore a son over a childless one, limiting reproduction limited access to political power: âRoyal wives were deprived of this most public mark of status [the patronage of public buildings], presumably because they lacked the qualification that appears to have entitled royal concubines to this privilege: motherhood. The suppression of the capacity of royal wives to bear children is an example of the Ottoman policy of manipulating sexuality & reproduction as a means of controlling power. To deny these women access to motherhood, the source of female power within the dynastic family, was to diminish the status of the royal houses from which they came.â
Peirce gives the example of SittiĆah (Sitti) Hatun, who married Mehmed the Conqueror. She describes Sittiâs wedding to Mehmed, an event surrounded by great pomp & circumstance. However, she neglects to inform the reader that Sittiâs marriage to Mehmed bore no children. Franz Babinger writes that although she had wed to the great conqueror himself, the childless Sitti was ultimately powerless & died lonely & forsaken. As Peirce explained in 1993, unions such as that of Sitti & Mehmed were largely symbolic & strictly political in nature: âAlthough their careers as consorts of the sultans often began with the ceremonial of elaborate weddings, royal brides were ciphers in these events. What counted was the ceremony itself & what it symbolized: less the union of male & female than a statement of the relationship between two states. The function of the bride, particularly in view of the non role that awaited her as the sultanâs wife, was to symbolize the subordinate status of the weaker state.â
There is no question that HĂŒrrem & SĂŒleymanâs marriage rattled Ottoman society. Nevertheless, it is alarming that Peirce, who once authored a seminal work on the structure & politics of the harem, omits the fact that it was motherhood & not marriage that empowered a woman in the dynastic family. Such gaps in knowledge might lead those previously unfamiliar with the Ottoman harem to believe that marriage made HĂŒrrem a âqueenâ & gave her political power, going so far to describe her & SĂŒleyman as a âreigning coupleâ at one point. (Bizarrely, she does discuss abortion in Empress, yet avoids writing about dynastic family politics beyond mentioning âpolitical planningâ.)
Far more perturbing is Peirceâs insistence that HĂŒrrem did more than she actually did for the empire. She claims that it was HĂŒrrem who played a pivotal role in âmoving the Ottoman Empire into modern timesâ & allowed the sultanate to survive through reforms she introduced. While she certainly paved the way in some regards for the women who followed her, Peirce overestimates HĂŒrremâs impact on the history of the Ottoman empire. There are other influential figures who helped preserve the sultanate, other forces that allowed it to flourish. Furthermore, Peirce downplays external factors that allowed for HĂŒrremâs ascent in the first place - namely the absence of a valide after 1534, not to mention SĂŒleymanâs lasting infatuation for her - in favor of emphasizing her purportedly âuniqueâ qualities of endurance, intelligence, & being a survivor.
Peirce goes on to anachronistically frame HĂŒrrem as a feminist figure. In one passage, she describes her as a âforward-thinking equal opportunity employerâ who âchallenged womenâs etiquetteâ because she wanted a female scribe for her foundation. Peirceâs language suggests that it was HĂŒrrem alone who bolstered womenâs opportunities, yet she does not present any evidence that HĂŒrrem introduced or influenced any social or political reforms for women of the time. Yet perhaps most erroneous is Peirceâs claim that credits HĂŒrrem with the start of âa more peaceable system of identifying the next sultanâ. This couldnât be further from the truth. Following their HĂŒrremâs death, her sons Selim & Bayezid became entangled in a civil war that ultimately ended with the deaths of Bayezid & his children. Even in the absence of prolonged violence, subsequent secession crises of the sixteenth century were resolved through the execution of the new sultanâs brothers, including infants. It was only with the ascent of thirteen-year-old Ahmed in 1603 that this tradition was set aside for dynastic concerns, although the practice of fratricide did not cease entirely.
When Peirce isnât falling over to frame HĂŒrrem as a wonder woman, she dismisses those who stood in opposition to her ascent, such as Mahidevran, SĂŒleymanâs previous consort & mother of his firstborn son, Mustafa. Peirce takes a dim view of Mahidevran, presenting her as a jealous woman who needed to be reminded of her duties as mother of a prince. She is depicted a woman worried about losing a manâs favor, rather than a woman who, by all historical accounts, was deeply concerned for her sonâs future. Early in SĂŒleymanâs reign, the ambassador Pietro Bragadin reported that Mustafa was his motherâs âwhole joyâ at their residence in Istanbul. Later, the crucial role Mahidevran played in supporting her son at his provincial governorships was detailed by visiting diplomats. In 1540, Bassano noted her guidance in â[making] himself loved by the peopleâ at his court in Diyarbakır. Mahidevranâs efforts to protect Mustafa, as well as the bond between mother & son, were observed by Bernardo Navagero in 1553: â[Mustafa] has with him his mother, who exercises great diligence to guard him from poisoning & reminds him every day that he has nothing else but this to avoid, & it is said that he had boundless respect & reverence for her.â
Ibrahim Pasha is another figure disparaged by Peirceâs negative bias. A friend from SĂŒleymanâs youth who quickly ascended to the rank Grand Vizier, Ibrahim was not only a skilled & cultured diplomat admired by his counterparts in Europe, but a talented administrator & commander. Eric R. Dursteler writes, âDuring this time, by all accounts, Ibrahim ruled the day-to-day affairs of the empire effectively. SĂŒleyman seems to have been content to give Ibrahim nearly unlimited power & autonomy in running the Ottoman state, & all matters of any significance passed directly through his hands. [...] If Ibrahim's initial ascent was due to his personal ties to SĂŒleyman, in his years as grand vizier, he proved himself a capable diplomat & an effective political & military leader. In 1524, SĂŒleyman sent Ibrahim to Egypt to restore order following an uprising led by a rebellious Ottoman official sent to rule the earlier conquered province. Ibrahim reorganized legal & fiscal institutions, punished mutinous officials & subjects with severity, established schools, restored mosques, &, by all accounts, restored peace & order to the region.â
Conversely, Peirce describes Ibrahim as âdispensableâ, implies that he was holding SĂŒleyman back from achieving his greatest accomplishments, & states âother minds were better suitedâ to administer the empire as Grand Vizier. When comparing her portrayal of Ibrahim to that of RĂŒstem Pasha, Mihrimah Sultanâs husband - & HĂŒrremâs son-in-law - Peirceâs bias becomes clear. She fawns over RĂŒstem while being completely dismissive of Ibrahim.
Finally, there is Mustafa: the son of HĂŒrremâs rival Mahidevran & SĂŒleymanâs oldest living son. Empress paints Mustafa as a brat, calling him âa proud child whose sense of entitlement was apparently both acute & insecure." Peirce recounts an ambassadorial report describing the young princeâs jealousy over his fatherâs relationship with Ibrahim - a story she previously featured in Harem: âThe sultan sent IÌbrahim the gift of a beautiful saddle for his horse with jewels & all; & Mustafa, aware of this, sent word to IÌbrahim to have one like it made for him ; [IÌbrahim] understood this & sent him the said saddle, & said to him, ânow listen, if the sultan learns of this, he will make you send it back.â
Peirceâs two treatments of the same story is telling. In Harem, the account illustrates âIÌbrahimâs kindly patience in soothing the child Mustafaâs jealousy of his fatherâs affection for his favoriteâ, with Peirce noting that the relationship âseems to have consolidatedâ over time - particularly with the emergence of his half-brothers as a greater threat. In Empress, on the other hand, Peirce only concludes that such incidents âmay simply reflect a jealousy on Mustafaâs part of anyone close to his fatherâ without mention of the relationship improving, nor of Mustafa recognizing his true rivals to survival.
Whenever Peirce describes Mustafaâs intelligence & his worthiness, she emphasizes that these are the opinions of his contemporaries. Itâs as though she wants to disagree, but canât because historical evidence only points to Mustafa being how he is remembered to be: an intelligent & a worthy heir to the throne. Mustafa was the clear favorite among the people & the army. In Harem, Peirce notes that âMustafa was universally desired to follow his father to the throneâ according to Venetian reports in 1550 & again in 1552. He was more popular than Selim or Bayezid, HĂŒrremâs living sons who were contenders to the throne. Mehmed, HĂŒrremâs firstborn, could have been a match for Mustafa had he lived longer, but in the absence of evidence this is mere speculation.
Mustafaâs execution did indeed stain HĂŒrremâs name. She & RĂŒstem Pasha were blamed by contemporaries for orchestrating the downfall of the beloved heir apparent. Peirce predictably sets out to clear HĂŒrremâs name & exonerate her of involvement in the tragedy, but instead of focusing on a lack of hard evidence, she illogically places blame on Mustafa for his own demise. Writing that previous historians studying the topic âlargely failed to consider Mustafaâs part in the affairâ, Peirce points out the princeâs popularity & that people were already hailing him as âsultanâ - something SĂŒleyman would undoubtedly find threatening. Perhaps Mustafa was the victim of his own success, but it would be deeply unfair to blame him for meriting praise & adoration from others, which could only be earned through excelling in his princely duties.
Had Mustafa won the throne after SĂŒleyman died, Ottoman tradition would dictate the deaths of HĂŒrremâs sons - even Cihangir, said to be fond of his eldest half-brother. According to Navagero, SĂŒleyman reminded Cihangir of this reality, warning his son that âMustafa will become the sultan & will deprive [you & your brothers] of your lives.â Per the Ottoman practice of institutionalized fratricide, someone would have to die.
Beyond the fact that her sons would face near-certain death had he ascended the throne, a victory for Mustafa would deprive HĂŒrrem of power, leaving her to face the fate that had befallen Mahidevran after her sonâs death: destitute & cast aside. As Thys-Senocak explained in [b:Ottoman Women Builders: The Architectural Patronage of Hadice Turhan Sultan|514467|Ottoman Women Builders The Architectural Patronage of Hadice Turhan Sultan|Lucienne Thys-Senocak|https://images.gr-assets.com/books/1359624052s/514467.jpg|502432]: âUnlike her European counterparts, the prestige & political legitimacy that an Ottoman valide possessed was derived from her position as the mother of the reigning sultan, rather than through her position as the widow of the deceased sultan [...] Once the father of her son was dead, the valideâs sole source of power & legitimation was through her son, the reigning sultan.â If Mustafa took the throne after SĂŒleymanâs death, HĂŒrrem would have lost not only her sons, but also her status.
The fate of a mother was thus closely bound to the survival of her son. It was not only a motherâs duty to ensure that her son was a contender to the throne, but through his motherâs influence that he survived. A princeâs mother was his mediator, his guardian, his most steadfast ally; it was she who sought to safeguard him from potentially hostile forces, including his own father. While imperial lalas (tutors) ensured that a prince was prepared to take the throne, it was the mother who acted as âan effective agent for her son through her connections with the imperial court, her wealth, & her status as a royal consort & as the most honored person at the provincial court after her son.â
HĂŒrrem, however, did not accompany her sons to their provincial governorships to fulfill the principal role of a princeâs mother. Once again bucking established practice, she remained in Istanbul with SĂŒleyman during this time save for the occasional visit.
Herein lies the irony of Peirceâs HĂŒrrem. Only remotely involved with her sonsâ provincial careers, painting HĂŒrrem as an innocent flower who never intrigued at court would mean she did nothing to protect, promote, or prepare them at one of the most crucial points of their lives. If she did not have a hand in anything, whether at sanjak or in Istanbul -- not even to eliminate their biggest competition -- what did Peirceâs HĂŒrrem do to ensure her sonsâ success and survival? It is only in the epilogue of Empress that she briefly notes HĂŒrremâs involvement in ensuring one of her sons received aid he might need. Nevertheless, in the quest to exonerate her subject, Peirce inadvertently makes it seem HĂŒrrem neglected her chief responsibility as mother of the sultanateâs heirs. Even with multiple sons and no precedent to follow, one would think she wouldâve done anything to help or protect them -- and by extension, herself. Yet Peirce provides no evidence or examples of HĂŒrremâs involvement in educating or preparing her sons for rulership.
Ultimately, Empress of the East only does HĂŒrrem a disservice by presenting her as a proto-feminist, empowered heroine r