Distorted Images: British National Identity and Film in the 1920s (Cinema and Society)

by Kenton Bamford

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The 1920s was a period of British film history in which, whilst the British cinema-going public's preference was for the American films of Griffith and deMille, they were being encouraged to "buy British". This exploration of the cultural construction of "Britishness" by the British film industry investigates the image of nation and of British people as depicted in films, the class attitudes and values that underpinned those images, and the realities of the reception of British and American films across classes. Using an array of original source materials, the author looks at the culture of the stage and popular fiction on which the cinema fed, and sets out to show how creativity, innovation and democracy in British films was stifled by a stultifying aura of middle-class gentility.
  • ISBN10 1860643582
  • ISBN13 9781860643583
  • Publish Date 31 December 1999
  • Publish Status Out of Print
  • Out of Print 9 June 2021
  • Publish Country GB
  • Publisher Bloomsbury Publishing PLC
  • Imprint I.B. Tauris
  • Format Hardcover
  • Pages 240
  • Language English