THE NATIONAL BOOK AWARD 'BOOK OF THE YEAR'
AN ACCLAIMED WEST END THEATRE PRODUCTION *****
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if I was reading about me' NEIL GAIMAN
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This is what he remembers, as he sits by the ocean at the end of the lane:
A dead man on the back seat of the car, and warm milk at the farmhouse.
An ancient little girl, and an old woman who saw the moon being made.
A beautiful housekeeper with a monstrous smile.
And dark forces woken that were best left undisturbed.
They are memories hard to believe, waiting at the edges of things. The recollections of a man who thought he was lost but is now, perhaps, remembering a time when he was saved . . .
NEIL GAIMAN.
WITH STORIES COME POSSIBILITIES.
- ISBN10 1472200330
- ISBN13 9781472200334
- Publish Date 18 June 2013
- Publish Status Active
- Publish Country GB
- Publisher Headline Publishing Group
- Imprint Headline Book Publishing
- Edition Digital original
- Format eBook (EPUB)
- Pages 143
- Language English
Reviews
mrs_mander_reads
Jyc
Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren't any grown-ups. Not one, in the whole wide world.
This story is constructed around a series of 'weird' events that may or may not be real. Just as how most kids would be talking about a friend or a place or anything that they witness, and most adults would dismiss as something imagined. It's almost like a long dream, or maybe it was a memory. No one ever really and completely remembers their childhood. It's always this vague picture. Still, much of what we went through as a child comes back to us one way or another later on in life in different forms. Different, but recognizable. At times, they help us cope with whatever we're going through. Other times, they're like monsters that we can't seem to run away from.
I do not miss childhood, but I miss the way I took pleasure in small things, even as greater things crumbled. I could not control the world I was in, could not walk away from the things or people or moments that hurt, but I found joy in the things that made me happy.
Well, you know, we live on with the memories we wish we could lose.
tylerrosereads
Unpopular review time! I spent a lot of this book wondering how it was happening and trying to figure things out that were never explained by the end. I wish we would have gotten more backstory and heard about the land from over the ocean(pond). Maybe this short story turned novel needed some more time growing into it's big boy pages
brokentune
It took me a few attempts to get into The Ocean at the End of the Lane but in the end Gaiman won me over again with his unique way to tell imaginative stories with an air of lyrical sadness.
Kait ✨
leahrosereads
I saw more of myself in the narrator this time. From his fears of the dark matching my own as a child, to what he went through not even remotely matching my own childhood. But, I had an over-active imagination, and I know that I saw and dreamed up monsters in the shadows and the dark, and maybe it wasn't my imagination but memories.
OK, it was definitely just my imagination, but how terrifying would it be to discover that it was really a memory long forgotten?
Neil Gaiman did an excellent job of giving his seven year old narrator a seven year old's voice. It felt very genuine and really helped keep me completely engaged in the story.
Honestly, I felt that Mr. Gaiman did everything right with this novel. The length felt perfect for this story - I didn't think it dragged or it ended too quickly. The plot and the characters were just spot on, and I was in our narrator's corner 100% of the time. I despised the monsters in this book and hoped that they would meet their demise. And I especially loved the Hempstock women. They were strong, brave, wonderfully magical, brilliant, caring, extraordinary beings.
This is one of those novels that I know I'll continue to re-read in years to come, and one that I would honestly recommend to everyone to try. It's one of my favorite Gaiman works, and I know I haven't read them all yet, but I think it'll stay one of my favorites of his.
This review is becoming a rambling mess, so I'm going to end it. I really, really think you check out [b:The Ocean at the End of the Lane|15783514|The Ocean at the End of the Lane|Neil Gaiman|https://d.gr-assets.com/books/1351914778s/15783514.jpg|21500681]. Seriously, if you haven't yet, try and get to this book in 2016. It's under 300 pages, and I really don't think you'll be disappointed.
Hillary
Neil Gaiman seems to get better and better with each new book. This book was outstanding. I literally couldn't put it down. It is a page turner all the way through but that ending! I am not gonna post it for fear of spoilers but if you have read it I would love to hear your thoughts.
This book took me back to when I was growing up in the central Appalachian Mountains and had my own hidy places. I loved his descriptions of the environment in the book. It felt as if I was right there with the main character who never has a name in the book. That's ok because he does not really need a name. It starts out like a normal fiction book then it adds in the supernatural elements. Yes, books like this require you to suspend disbelief but Gaiman writes so skillfully that this is not at all difficult to do. In this world, all the schematics makes sense so that you are never like, how did THAT happen?
Like I said I really enjoyed this book, but I was awed at the ending. I want to discuss the ending but again spoilers. I will say this, it is interesting how events that happened to you can change shape in your mind. You think you remember it correctly then you revisit it as an adult and find that your environment and who you are and the blocking out painful bits can shape the event in your mind. Things are not always as they seem. Or are they? This got me to thinking about events in my own childhood and how I remember them and I wonder if my memories are clouded with the stuff that I have accumulated along the way. How many of my really bad memories have been distorted by time? It is interesting to think about.This review was originally posted on Adventures in Never Never Land
kentholloway
Why? It's perhaps as difficult to explain as the nature of the Hempstock women themselves. There was just something very profound...something that tapped deep into the heart of my inner seven year old boy. It was, as Gaiman said, just as children are different from adults: adults always follow an established path, whereas children explore and seek out hidden ways to things unknown. That's precisely the way this book made me feel. I was branching away from the safe, properly constructed roads of modern fiction, and moving in and out of mulberry bushes and shadows and upgrown vegetation to discover a world--within our very own--that is magical and full of wonder.
I loved the main character. I felt so much for that poor boy. That good boy, who only wanted to be happy, but never seemed to get what he wanted until his nose was in a book or if he was holding the hand of the 11-year-old Hempstock girl/woman/entity/ancient one. I was saddened by the fact that he had forgotten and had forgotten once again (if you've read it, you'll know what I mean). But also happy that he had forgotten for the trials he'd endured by the dark creatures.
I loved the mystery of the Hempstock women. Of where all the men had gone? Of the untold Hempstock men's adventures. Of the very nature of what the Hempstock women were. Were they the Fates? Were they some re-arranged version of the Morrigan? Or something else entirely. Thankfully, Gaiman believes in letting the imaginations of his readers get carried away with these things long after the book is finished.
Which brings me to my last point. It's not very rare for me to finish a book, offer a sigh of satisfaction, and then go on to prepare dinner and live my life as normal. It's much rarer when I finish with a sigh, and sit for untold clicks of the clock, absorbing what I'd just read. Marveling in it. Exploring the possibilities of it in mind. Wondering what became of the characters after the book is closed. This book was most definitely one of those.
It's simply a magical tale that will stay with you for a long time afterwards...that is, if you enjoy stories of whimsy and magic.