Nessa Luna
Written on Mar 22, 2017
Sixteen year old Gemma is kidnapped from Bangkok airport and taken to the Australian Outback. This wild and desolate landscape becomes almost a character in the book, so vividly is it described. Ty, her captor, is no stereotype. He is young, fit and completely gorgeous. This new life in the wilderness has been years in the planning. He loves only her, wants only her. Under the hot glare of the Australian sun, cut off from the world outside, can the force of his love make Gemma love him back? The story takes the form of a letter, written by Gemma to Ty, reflecting on those strange and disturbing months in the outback. Months when the lines between love and obsession, and love and dependency, blur until they don't exist \- almost.
- ISBN13 9781906427139
- Publish Date 4 May 2009
- Publish Status Out of Print
- Out of Print 8 August 2013
- Publish Country GB
- Imprint Chicken House Ltd
- Format Paperback
- Pages 320
- Language English
Reviews
Kelly
Written on Apr 18, 2013
The reader lives through the traumatic abduction with Gemma. From fear, anger, depression, even to a sense of acceptance. Set in outbreak Australia, the descriptions of the wild, open land are hypnotic and poetic, bringing a sense of calmness to the storyline.
This book is far more than a black and white case of abduction, more than a sinister monster who took a teenage girl away from the world she's ever known. Gemma's letter recalls how Ty romanticises the land, the life and the crime he ultimately committed, but these are Gemma's thoughts and they feel more complex than simply a case of Stockholm Syndrome.
Angie
Written on Jun 2, 2012
I think that quote sums up how I felt reading this book. Ty, an amazingly attractive man, steals Gemma away from her family at the Bangkok airport, and manages to bring her to his secluded home in the desert of Australia. After the initial drugging, Ty does nothing to purposely harm her, but I (and Gemma) kept waiting for him to snap. Throughout their time together we see Ty be sweet and try his hardest to make Gemma comfortable with him, but there was always this feeling of instability right under the surface. It's obvious something's not right with him, but at the same time I found myself sympathizing with him as he tells Gemma about his past. How much of that story is true, I don't know, but it was effective at drawing us in.
While I went into this expecting a tale of Stockholm Syndrome, it turned out differently than I thought it would. I was expecting something more extreme, similar to the adult novel Comfort Food, but instead Gemma's feelings towards Ty seemed much more subtle. I actually liked this quite a lot. We get little glimpses of her trusting him, and wanting him near her, but it isn't until they're apart when she actually acknowledges those feeling. Even then she knows it's wrong, but you can't help what you feel.
I actually made myself a little uncomfortable by wanting Gemma to love Ty. It was obvious how much he wanted her to, and he did everything to try to make her see the beauty of the desert and the type of life they could have together. Whether this was his genuine feelings, or something brought on by madness, I don't know, but I did feel like she should have given it a chance. Of course, the desert has its own plans...
This was a very powerful novel. It's full of a whole range of emotions from tender sweetness, to discomfort, to anger, to longing. It basically covers it all during Gemma's time with Ty and in the aftermath. The letter format added an extra layer of intensity and intimacy that wouldn't have been there if this was written any other way. There's also a lot of beautiful descriptions of the desert. I've always been fascinated by Australia, so I'd loved how alive the author made the desert feel on the pages.
The ending of this is a bit open. I would have loved to see more of what Gemma was feeling after the trial, and what happened to Ty.
You took me to the sand and the heat, the dirt and isolation. And you expected me to love you. And that's the hardest part. Because I did, or at least, I loved something out there."
Amanda
Written on May 2, 2012
Amanda: I’m not even sure how I want to rate Stolen. It could range anywhere from a 3.5 to a 5.
Smash: I don’t usually rate books anymore, but I would give Stolen a 5 because of the sheer ability to suck me in and spit me out. I didn’t want to put it down, and I felt everything Gemma felt.
Amanda: Usually I rate on an enjoyment scale, but this isn’t a book that you enjoy. You experience. It’s an important experience to have, and it is one of those books that you will continue to think about and it will continue to haunt you long after you finish it. To me, that’s a 5. But on my enjoyment scale, probably more like a 3.5. I’m tempted to stick with the 5, though.
Smash: Be a rebel. I think this story is worthy of a 5. It is not a fun story to experience, but it is one that will deafen you with its emotion.
Amanda: I think I got mind fucked. I am quite sure that I had every emotion that Gemma had throughout this book, and I honestly still don’t know what to think or feel about this book — and Ty.
Smash: I’m always up for a good mind fuck. Psychological stories are some of my favorite to read. This was different, for me. It felt more personal. It was more personal. Much like Gemma, I am left feeling hella confused and emotional. This is a sign of good writing, methinks.
Amanda: Not just good writing, but a good understanding of all the psychological workings of Ty and Gemma.
Smash: My brain was having a field day reading this. I much enjoyed diagnosing and trying to figure out the causes of actions, how both characters were feeling, etc. I think we saw Erotomania, PTSD, Attachment disorder, Psychosis, Dissociation, Stockholm Syndrome, and bits and pieces of so many other psychological terrors.
Amanda: I think I actually had Stockholm Syndrome, right along with Gemma. Every time I started thinking about it actually maybe working out in some way, I’d be jerked back with the realization that No! He had kidnapped her. There was no way it could end positively, especially since it was obvious that Ty wasn’t exactly completely sane.
Smash: Completely agree. I think the author’s ability to mess with our psyche in this fashion was pretty brilliant. I am still reeling from it. I was a blubbering fool. I understand both sides, completely. I get it. I felt it. And it’s damn scary. When the author started to share Ty’s personal experiences as he tells them to Gemma, I knew we were in for a roller coaster ride of emotions. The minute she introduced his tragic experiences is the minute we began to feel pity or compassion or something. That’s how it all starts.
Amanda: And I think that is the crux of why this book is so confusing and emotional. We understand Ty. We get why he is the way he is. There is no way he could have escaped his experiences without some kind of scar. But what he did is so incredibly wrong and scary. It’s hard to reconcile these two sides of him.
Smash: Throughout the book we hear memories and moments about his attachment to Gemma, how he discovered her, what she meant to him very early on. Those memories were frightening from the obsessive stalker side of the spectrum, but my heart wept for him in those memories. He was so damaged and so badly needed someone to grasp to.
Amanda: How much do you think Ty was manipulating Gemma’s impressions of her life, and how much was he telling the truth? What did her parents really say? Did he really save her that one night?
Smash: And that, is the mindfuckery of manipulation. If his experiences were true, I would say manipulation definitely had a major role in this game. And I both love and hate that I felt such sadness for him. I have experience with this stuff in real life, and it isn’t fun to have your emotions toyed with. I’m pretty sure that Ty suffered from some sort of attachment issue, and with that comes lots of nice, fun psychological issues. Ones that keep you from feeling pain, emotion, remorse, regret. Manipulation becomes second-nature for survival. You cannot connect to other humans. But he latched on to Gemma.
Amanda: There were so many similarities between Gemma and the camel. How Ty treated both of them. No?
Smash: Yes. I honestly think he would not hurt her, though his anger reared its ugly head a time or two. He treated the camel with the same calm, caring demeanor. I think it was partly honest and partly manipulation of Gemma. To see him as Ty and not her kidnapper.
Amanda: Except those two are not, nor ever will be, separable. I wonder how much of the manipulation was conscious action.
Smash: Honestly, I think a lot of manipulation by people with mental health issues is unconscious. I think their brain has learned to do things that way in order to survive. But, I do think there is purposeful manipulation, as well. I had a few adolescent cases where I saw this come into play often.
Amanda: It’s the unconscious manipulation that muddies the water, I think. If it was all completely conscious, it would be easy to hate Ty. Very easy.
Smash: And yet, we will never know. The story leaves you confused and raw and violated. Ty entered into our minds, manipulated us.
Amanda: I think that’s what is so brilliant about the style of this book. The entire thing is a letter, written by Gemma, to Ty. The use of “you” connected us to the story and thrust us into the situation, right along with Gemma.
Smash: And don’t forget the use of “I.” Eventually, it’s the reader and Ty…Gemma is still there, but the reader has joined her.
Amanda: Now you’re just getting me all creeped out again. Delightfully creepy. I stand by that description.
Smash: And a great description it is.
Amanda: It makes you wonder what’s out there. Stalking you. Like giraffe shifters.