The Yellow Wallpaper and Other Writings (American Feminist Literature) (Golden Classics, #51) (Bedford Cultural Editions)

by Charlotte Perkins Gilman

Known primarily for her classic and haunting story "The Yellow Wallpaper," Charlotte Perkins Gilman was an enormously influential American feminist and sociologist. Her early-twentieth-century writings continue to inspire writers and activists today. This collection includes selections from both her fiction and nonfiction work.

In addition to the title story, there are seven short stories collected here that combine humor, anger, and startling vision to suggest how women's "place" in society should be changed to benefit all. The nonfiction selections are from Gilman's The Man-Made World: Our Androcentric Culture and her masterpiece, Women And Economics, which was translated into seven languages and established her international reputation as a theorist.

Also included in a delightful excerpt from Gilman's utopian novel, Herland, an acidly funny tale about three American male explorers who stumble into an all-female society and begin their odyssey by insisting, "This is a civilized country . . . there must be men." Gilman's analyses of economic and women's issues are as incisive and relevant today as they were upon their original publication. This volume is an unprecedented opportunity to rediscover a powerful American writer.

• ISBN10: 055321375X
• ISBN13: 9780553213751
• Publish Date: 1 October 1989 (first published 1 January 1892)
• Publish Status: Active
• Out of Print: 23 November 2015
• Publish Country: US
• Publisher: Random House USA Inc
• Imprint: Bantam Books Inc
• Format: Paperback (US Mass Market)
• Pages: 256
• Language: English
• URL: https://penguinrandomhouse.com/books/isbn/9780553213751

Reviews

[Witty and Sarcastic Bookclub]

“The Yellow Wallpaper” is told as a series of journal entries written by a woman who has gone to a country manor to recover from what is assumed at this time to be postpartum depression. Her loving husband, John, follows the recommendation of doctors of the day (he is also a doctor), and sequesters the woman so that she might rest and recover. She is not supposed to exercise or write, instead letting repose heal her. The woman (whose name is never learned) is not allowed to leave her room, which has yellow wallpaper. As time progresses, the woman becomes convinced that the wallpaper moves and there is someone in the wallpaper trying to get out.

I really can’t accurately describe the creepy feel of this story. While it is ultimately a tale of the deterioration of the woman’s mental state (due to the absolutely absurd treatment of mental illness in the late 1800’s, when this was written), there is an eerie vibe to it. The writing is astounding. I was immediately drawn in. I can see why this story is considered a classic.

When I began the book, I thought it was odd that the color of the wallpaper was such a big deal. However, I soon found that it makes perfect sense. The metaphors found throughout are amazing, conveying the hopelessness the woman felt regarding her situation.

It isn’t a happy-go-lucky story, but it is a compelling one. And the ending! Holy terror, Batman! Gilman’s writing is excellent. I highly recommend reading this story.

https://wittyandsarcasticbookclub.home.blog/2020/06/06/the-yellow-wallpaper-by-charlotte-perkins-gilman/

[celinenyx]

Trigger warnings: mental illness, sexism, suicide.

[brokentune]

"This wallpaper has a kind of subpattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then. But in the places where it isn’t faded and where the sun is just so—I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design."

Classic horror in small doses provided by an author I had not heard about but who is now someone I will seek out for other stories.



The Yellow Wallpaper tells the story of a woman who is incarcerated in her own house and basically confined to rest in a room without being allowed to do anything. No work, no mental diversion. All because her keepers - mainly her husband - believe this is what is best for her, even though he does not understand the reason for the woman's illness:

"John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him."

Over the three months (!) of her confinement, the woman has nothing to occupy her mind except for the room she is in and the wallpaper hanging in pieces:

"It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys’ school had used it. It is stripped off—the paper—in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin."

In fact, the description of the room strongly reminded me of Stefan Zweig's Chess Story, where a prisoner is held and where isolation, inactivity, and a bare room is used as a form of torture. In order to keep sane, the prisoner starts an imaginary chess game against himself, which he cannot win.
So, when reading The Yellow Wallpaper's first few chapters, I suspected that the story might reveal similar motives. As the paragraphs went on, however, I became less interested in the motives of the "carers" (or captors) and instead increasingly interested in the woman's identity. She is not named. Was she a person or was she a ghost?

For a story written in 1890, The Yellow Wallpaper packs a lot of punch. I had not expected that the story was not really written as a horror story, but was written as social commentary based on the author's own experience, which in fact just adds to its poignancy.
When Charlotte Perkins Gilman wrote the The Yellow Wallpaper, she knew about suffering from post-natal depression and had first-hand experience of the then newly developed prescription on rest cures - a treatment consisted primarily in isolation, confinement to bed, dieting, electrotherapy and massage - because she had been a patient of the developer of said cure, Silas Weir Mitchell, who even gets a mention in The Yellow Wallpaper.

I guess, this is another instance where fiction and fact are inseparable, and where circumstances that once described the fate of real people will now pass as classic horror.

[Michael @ Knowledge Lost]

In the title story “The Yellow Wallpaper” Charlotte Perkins Gilman tells the story of a woman on the verge of a nervous breakdown. A specialist recommends that she takes rest cure; a treatment in which has her lying in bed all day and only allowed two house of intellectual activities a day. After a few months of staring at the walls, things are far from improving.

While this is a collection of short stories, I am focusing on the title story simple because it gives you a sense of what to expect when reading Charlotte Perkins Gilman. “The Yellow Wallpaper” explores the decline of the protagonist’s health, both physically and mentally. Written in a series of diary entries, the story not only looks at depression but, on a deeper level, gender roles. The doctor and her husband are portrayed as repressors; while their intentions are to help her heal they never take into account her own opinion.

This in turn critiques that position of the woman, especially when it comes to the institution of marriage. Gilman looks at marriage as a hierarchy; the male is actively working and knows what is best for the house, while the wife is put in charge of the domestic jobs (cooking, cleaning and so on). The wife becomes a second class citizen; a servant only there to serve her husband. When the protagonist of “The Yellow Wallpaper” gets sick she is demoted further and her role becomes similar to a petulant child.

While I have focused on the story “The Yellow Wallpaper”, these similar themes are found throughout this collection. What I found so satisfying is the way Charlotte Perkins Gilman uses irony to express her opinions. The use of both verbal and dramatic irony is found in all her stories but I enjoyed the sarcasm the most. There is a lot of symbolism and motifs within the stories well worth exploring that really empathises her point.

I loved this collection of short stories by Charlotte Perkins Gilman, there are so many interesting topics worth exploring and I used “The Yellow Wallpaper” to emphases and provide a glimpse into what you can expect. I am determined to read a whole lot more of Gilman’s works, I fell in love with her writing style and got so much pleasure out of reading these stories. The Yellow Wallpaper and Other Stories is a collection of stories well worth picking up and adding to your personal library.

This review originally appeared on my blog; http://literary-exploration.com/2015/04/28/the-yellow-wallpaper-and-other-stories-by-charlotte-perkins-gilman/

[inlibrisveritas]

This a is a short but very good story. It's not scary by any traditional means but it does have that creepy factor that comes with someone going mad while you're "watching". Definitely worth the read.