In France of the early twentieth-century, the term art nègre was as likely to refer to the black music and dance of America as to the sculpture of Africa. Indeed, music and dance, which both racial theorists and novelists portrayed as the "primitive" arts par excellence, were widely believed to exemplify the "genius" of blacks. In Le Tumulte noir, Jody Blake traces the profound impact African sculpture and African American music and dance had upon Parisian popular entertainment as well as upon avant-garde, modernist art, literature, and theater.
Through her discussion of the reception of ragtime and jazz, as well as other African visual and performing art forms, Blake provides new ways of understanding the development of modernist "primitivism," from Matisse and Picasso to Dada and Surrealism. She also demonstrates that the influence of art nègre went well beyond the art world. From the notorious cakewalk to the Charleston, African American idioms played a key role in shaping modern cultural, social, and political life.
- ISBN10 0271017538
- ISBN13 9780271017532
- Publish Date 1 January 1999
- Publish Status Out of Print
- Out of Print 11 March 2014
- Publish Country US
- Imprint Pennsylvania State University Press
- Format Hardcover
- Pages 228
- Language English