Invisible Man (Modern Library) (Vintage International)

by Ralph Ellison

Selected by the Modern Library as one of the 100 best novels of all time • Nominated as one of America’s best-loved novels by PBS’s The Great American Read

Invisible Man is a milestone in American literature, a book that has continued to engage readers since its appearance in 1952. A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.

• ISBN10: 0140023356
• ISBN13: 9780140023350
• Publish Date: 25 June 1970
• Publish Status: Out of Print
• Out of Print: 6 December 1991
• Publish Country: GB
• Imprint: Penguin Books Ltd
• Format: Paperback (A-Format (178x111 mm))
• Pages: 480
• Language: English

Reviews

[scarr]

So much changes yet so much stays the same . . . poignant almost 70 years after published.

[gmcgregor]

Ralph Ellison's Invisible Man shouldn't be confused with H.G. Wells' The Invisible Man. While the sci-fi classic deals with literal invisibility, the unnamed black man who narrates his story in Ellison's novel is only figuratively invisible. We meet him at the end of his story, living in a New York City basement that he's lit up brightly by siphoning power from the utility. Ellison doesn't belabor the metaphor...right from the start, the narrator tells us that it's his status as a black man in mid-century America that renders him effectively invisible.

The novel is made up of his story and how he came to recognize his own non-entity status. And it hits you in the gut right away: the first incident he relates from his life is when he's awarded a scholarship from a prestigious philanthropic organization in the small Southern town in which he grows up. He's invited to a country club dinner to make a speech about his scholarship, but once he gets there, he and several other young black men are forced to fight each other and be humiliated chasing for electrified coins. Only after he's been degraded is he allowed to give his speech and receive the scholarship and the briefcase. It's a horrifying sequence, incredibly difficult to read, and the book is just getting started.

This experience, and the ones that the narrator has at a black college and then in New York are rooted in a fundamental denial of his humanity. He's entertainment, or a tool, or an experiment, or just disposable. He struggles and fights and gets up after being knocked down over and over again, but he can't escape the fact of his race and the broad social structures designed to keep him and other black men firmly in the underclass. And while things have gotten better today, it's maybe not as much better as we'd like to think.

This is a hard book to read. Not because of the quality...Ellison's writing is incredible. But it's heavy and dark and the unending awfulness of what the narrator is subjected to is a lot to get your head around. I usually try not to get heavily into politics on this blog, but I read this book right after the 2016 election, and it really made me think about the racism that persists in our society.