gmcgregor
Written on Jul 20, 2018
Though many of the lives we encounter look at least moderately happy on the surface, there's often profound sadness lurking underneath. This is not new territory, suburban dysfunction and familial drama, and while there's nothing special plot-wise it's Strout's skill as a writer that makes this book shine. Each story is a whole unto itself but subtly builds to create a full picture of Olive, her strengths and her flaws. She can be infuriating, as when she deals with the fear from finding herself the victim of a crime by berating her husband, and she can be deeply relatable and sympathetic, like when she overhears her new daughter-in-law mocking the dress she made herself for their wedding. She is stubborn and proud and controlling and rendered with profound emotional truth. Strout never has to explicitly ascribe these qualities to Olive, because she understands the power of showing rather than telling, which she does in spare-yet-lovely prose.
As in any short story collection, some entries are stronger than others. I loved the first one, "Pharmacy" about Olive's husband's long-ago infatuation with a shy technician at his pharmacy, and two where Olive is only a background mention, "Winter Concert" and "Ship in a Bottle". Some others, like "Tulips" and "The Piano Player", failed to move me. But one of the upsides to reading short stories is that even if you don't care for a particular story, it'll be over soon! I'll be honest, I was not looking forward to reading this book, because it felt like I was in a rut of books that were interconnected vignettes without strong central plots and I wanted to read something with more structure. Happily, though, it's good enough that I found myself very much enjoying it and I'd highly recommend it even if you're skeptical of short stories!