The Sense of an Ending: The classic Booker Prize-winning novel (Vintage International) (Borzoi Books)

by Julian Barnes

'A masterpiece... I would urge you to read - and re-read ' Daily Telegraph

**Winner of the Man Booker Prize for Fiction 2011**

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.

Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.

Now a major film

• ISBN10: 0099564971
• ISBN13: 9780099564973
• Publish Date: 1 March 2012 (first published 1 January 2011)
• Publish Status: Active
• Publish Country: GB
• Imprint: Vintage
• Format: Paperback (B-Format (198x129 mm))
• Pages: 160
• Language: English

Reviews

[Bianca]

About a white old man and his lack of understanding about life and women, I guess...? For a short book, this was so draggy?? So boring and annoying. And this won the Booker Prize? 🥴

[gmcgregor]

Julian Barnes' The Sense of an Ending tells the story of Tony Webster, a deeply ordinary person. He went to school, worked a normal office job, got married, had a kid, got divorced, and remained on good terms with his ex into their retirement years. But a mysterious bequest drags him back towards most tumultuous time of his life. As schoolboys, Tony and his friends absorbed into their ranks the new kid in town, Adrian. Adrian was different than them: smarter, more serious. The group starts to fracture after graduation, everyone going their own separate ways to different schools or workplaces. At university, Tony meets and starts dating Veronica.

It is this ultimately short-lived relationship that changes lives. Veronica is mysterious and aloof, and Tony has a hard time knowing where he stands with her. They get serious enough that she takes him home to meet her family, but the only one that's nice to him once he gets there is her mother. They break up shortly after that trip, and not a particularly long time later Adrian writes to Tony to tell him that he's started dating Veronica. Tony is hurt, and writes back angrily. Then he goes on an extended jaunt to America, and it's not until he gets back to England that he hears that Adrian has committed suicide. Tony is, of course, upset, but his life goes on fairly smoothly until that bequest arrives: Veronica's mother has passed and left him a small sum of money and Adrian's diary. The money gets to Tony, but the diary is with Veronica.

Tony's journey to try to understand why he was left anything at all and attempts to get the diary comprise the balance of this slim novel. In its less-than-200 pages, it explores powerful themes: the difference between what we chose to remember and the truth, the impossibility of taking back something that's been said, how we change even though we feel like the same person we've always been. Barnes is a talented writer, and reflects on these with clear, emotionally resonant language that puts into words things that we (or at least I) have thought about but never really been able to distill. The mystery behind it all keeps the plot moving forward, but it never feels tantalizing just to inspire page-turning. Rather, the interesting thing is how Tony reacts to each new twist.

Barnes does brilliant characterization work with Tony, by the time things are wrapping up he feels like an old friend who has a way of dropping wistful bon mots about life. Both Adrian himself and Margaret (Tony's ex-wife) likewise feel realized despite appearing relatively infrequently in the narrative. But Veronica, who winds up being a significant factor, never really came together for me. The "clues" she gives Tony are maddening...if she really doesn't want to engage with him, she could have avoided him entirely, but for her to make just enough contact with him to drop cryptic references doesn't make sense. Either tell him what's going on, because he clearly doesn't get it, or ignore him. Her remoteness and Tony's inability to comprehend her are one thing, but I can't understand her own motives at all, which took away from my enjoyment of the book. As for the final resolution itself, I'm not sure I go all the way there with it. That being said, this is a lovely and powerful book, and I'd recommend it very highly.

[Michael @ Knowledge Lost]

When I see a book that is only 150 pages, I automatically think the book won’t have much to offer, but then I remember some great novellas like, George Orwell's Animal Farm, Anthony Burgess's A Clockwork Orange, Robert Louis Stevenson's Dr Jekyll and Mr Hyde and now Julian Barnes’s A Sense of an Ending. Winner of this year’s Man Booker prize A Sense of an Ending is the story I always wanted an angsty book about the teenage years to be like. I think back to Catcher in the Rye and think The Sense of an Ending is everything that classic should have been, all Catcher left me with was the need to slap Holden repeatedly.

The book follows the story of Tony Webster forty years later who receives an unexpected letter which leads him to remember his life forty years ago. The obsession with girls he had, his very first relationship and the memories of talking about philosophy, classical music and literature with his friends. This book is beautifully written, it was a real pleasure to read; it was intelligent, witty and I’d highly recommend it to everyone.