Flappers: Six Women of a Dangerous Generation

by Judith Mackrell

Glamorized, mythologized and demonized - the women of the 1920s prefigured the 1960s in their determination to reinvent the way they lived. Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation's spirit. Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and wilful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.

• ISBN10: 0230752330
• ISBN13: 9780230752337
• Publish Date: 23 May 2013
• Publish Status: Out of Print
• Out of Print: 5 February 2015
• Publish Country: GB
• Publisher: Pan Macmillan
• Imprint: Macmillan
• Edition: Unabridged edition
• Format: Hardcover
• Pages: 512
• Language: English

Reviews

[MurderByDeath]

Is it possible to be both ambitious and balanced?   The answer is yes, of course it is; there are manifold examples of men and women who have achieved great things while maintaining balanced, rational lives.   Reading books like Flappers though, one can't be blamed for wondering.  No doubt that the more outrageous lives make more exciting reading, but as seems always the case after reading these omnibus biographies, I'm left with the feeling that these women - who inarguably achieved great things in the face of extraordinary obstacles -  are not the ones we should be holding up as shining examples of success.  At least Flappers doesn't outright label them as heroines as one similar recently published book hailed its subjects.   But boy, does the outrageous make for delicious reading (if you can overlook the numerous and egregious copy-editing errors).  These women were rebellious, emotionally starved, unstable sometimes to the point of madness, and ambitious.  Their determination and stubbornness were admirable, if their lack of moral compass was not.  I'm not referring here, by the way, to their collective sexual escapades, of which I can only sit back and applaud with awe.  It's more the way they all believed, no matter how humble or grand their beginnings, that the rules didn't apply to them.   About the only woman I came out of this admiring was Josephine Baker.  While her compass most certainly did not point north, the author seems to chalk up some of this to naivety and ignorance (although I'm pretty sure she knew bigamy was a no-go and just didn't care).  Diana Cooper might have also made it to a happy old age, but Josephine showed the most ability to adapt, to learn, to grow, and to do it all without seeming to compromise her dignity.     Take all this with a grain of salt, of course; condensed biographies like these are necessarily incomplete and leave out a lot of details that might change the reader's perspective, but the writing is engaging and Mackrell manages to connect all five women's lives into a relatively cohesive narrative.  The women themselves do the rest.

[brokentune]

In Flappers, Judith Mackrell portrays six women of the early 20th century who became leading ladies of a fashion trend that gave us the Flapper - Josephine Baker, Tamara de Lampicka, Nancy Cunard, Diana Cooper, Tallulah Bankhead, and Zelda Fitzgerald.

To be honest, I had not heard of some of them. I had a fair knowledge of Josephine Baker, Nancy Cunard, and Zelda Fitzgerald, but had not heard of Diana Cooper or Tallulah Bankhead and was fascinated to find out that Tamara de Lempicka was the artist that created some of paintings that I have come to associate with some of my favourite book covers.

Apart from very detailed insights into the life of each woman, Mackrell's book does a fabulous job at revealing the social and historical context of each character. Each woman came from a different background, and struggled with different circumstances to rise to fame. This was fascinating. What was not so fascinating was that a lot of Mackrell's writing seemed to be concerned with the love lives of each woman.

Appropriating the words of Zelda, some chapters grated on me because it seemed that

‘All they talk about is sex,’ [...], ‘sex plain, striped, mixed and fancy.’

Still, this was a fascinating read about a time and a fashion movement that has left its mark on generations to come.