'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily Telegraph
Set in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common thieves, Margaret feels herself drawn to one of the prisons more unlikely inmates - the imprisoned spiritualist - Selina Dawes. Sympathetic to the plight of this innocent-seeming girl, Margaret sees herself dispensing guidance and perhaps friendship on her visits, little expecting to find herself dabbling in a twilight world of seances, shadows, unruly spirits and unseemly passions.
- ISBN10 1860496911
- ISBN13 9781860496912
- Publish Date 6 May 1999
- Publish Status Out of Print
- Out of Print 18 December 2004
- Publish Country GB
- Publisher Little, Brown Book Group
- Imprint Virago Press Ltd
- Format Paperback (UK Trade)
- Pages 368
- Language English
Reviews
nannah
Book content warnings:
suicide
abuse
Margaret Prior, an upper-class lady recovering from a suicide attempt, is visiting the women of Millbank Prison in an act of charity and in hopes that she will also gain some benefit and ... "perspective". It's there she meets (and becomes more and more fascinated by) Selina Dawes, the Spiritualist, imprisoned after one of her Seances left a woman dead. Margaret doesn't believe in her powers at first, but as her visits to the women's wards grow more frequent, she becomes entangled in Selina's Spirits. It eventually manifests into a plot to free Selina, but the plot is much more complicated than Margaret thinks.
I was definitely not prepared for this book. It's not a fast read, and it's not a lightweight read, that's for sure. But wow, I didn't think it would be that intense, either. I really don't want to give anything away, though, so I won't spill anything about how it ends.
Is it a tragic lesbian book? Not quite. So don't be turned away by anyone who says that it's so. But it isn't a happy read either (then again if you're familiar with Sarah Waters, I think that's pretty clear anyway).
The book plays with "what-ifs" in almost every aspect. It's told through a series of journal entries in both Margaret and Selina's PoV's, so you're never sure what's true. Are Selina's spirits real? Is Peter Quick -- Selina's main Spirit -- real? You never find out, and after reading it really can go both ways. That's basically how the book reads. Many parts of it can go in several ways. It's up to you to decide how you want to view it.
I can't say I didn't enjoy the book, because it was just so well written! But it was just so heavy and dark that I think it wouldn't be something I'd read over and over again.
brokentune
Affinity - a feeling of closeness and understanding that someone has for another person because of their similar qualities, ideas, or interests.
This book was not easy to get into. I'm neither a fan of Dickensian tales of woe nor of paranormal or supernatural stories, so for most of this book I was not convinced I would finish it, never mind like it.
The structure of the book was difficult, too. Chapters jump back and forth in time, and the narrative changes between the characters. I kept having to go back and re-read passages to remember where about in the story I was at - and which character.
However, Waters' writing detailing delicious descriptions of life in a Victorian women's prison was awesome. So awesome in fact that I felt like I was there in the bleak and rigid clasp of fear and despair - haunted (haha) by the question if the supernatural could be real. In fact, having read most of the book at night now that the darkness has gripped us up here in the North, made Affinity the perfect read in the run up to Halloween.
Affinity, as the title suggests, explores the relationship between different people, focusing mostly on upper-middle-class Margaret Prior, who volunteers to become a lady visitor in a London prison, and Selina Dawes, a notorius medium who has been sent down after being involved in a woman's death. However, affinity applies to other relationships in the book and each of them serves to paint a picture of the main character, Margaret Prior, and her struggle with life in London society during the 1870s.
As I mentioned, the book was a bit of a struggle for me at first but very rewarding in the end. The ending it self has been criticised by others, but I thought it was perfectly fitting, though not anywhere near as polished as the ending Waters' later books.
This review was originally posted on BookLikes: http://brokentune.booklikes.com/post/1028682/affinity
celinenyx
Affinity is the tale Margaret, a young lady living in nineteenth-century London. After her father's death, Margaret has fallen ill for half a year. Now everything is slightly better, she has taken it upon her to visit the female inmates at the Millbank prison as Lady Visitor. Here she meets the spirit medium Serena, who starts to intrigue her more with every visit.
This novel unfolds very, very, very slowly. It's way shorter than the other book I have read by Sarah Waters, Fingersmith, but it doesn't contain as many plot twists as that one does. Affinity feels a lot slower. I didn't mind that much, because I happen to love the historical period, and I can easily be entertained by the gloomy mood. Still, after a while I started to wish for the end, because about ninety percent of this novel is build-up.
And when the end comes, it hits hard. I won't spoil anything for you, but I can assure you that if you have come to be affectionate towards any of the characters, it will stay with you. I personally didn't see it coming it all. It all wraps up neatly together, but not in a way you would normally get with this type of novel.
The character of Margaret is a very flawed one. We see most of the story through her eyes, and her weakness shows through every experience she has. She's not very easy to like, but I really did want her to get a happy ending, in any form or another. Madness, substance abuse and depression are a few of the underlying themes, but I wish they were more pronounced. Without explaining Margaret's mental condition, she's really just a weak woman that doesn't appreciate the things she has in life.
Affinity's strength is the vividness of the descriptions of Millbank. I could perfectly imagine the creaking iron, the cold labyrinth-like corridors, the sound of a key turning in its lock. Ms Waters is a master in painting a gloomy atmosphere.
I recommend this book if you really feel like reading something that will make you shiver. It's not as accessible as Fingersmith is, but it's still a great historical novel. Not for the inexperienced reader, as the novel is written in slightly lofty archaic language and style.
Eve1972
empressbrooke
Much of the book is spent on the supernatural obsessions of the Victorian era: séances, mediums, and spirit guides all play a large role in the plot. Sarah Waters creates a bleak atmosphere that's almost overbearing after awhile. Between the confines of the prison and the confines of the roles women could play in the time period, the mood becomes almost oppressing.
I spent 90% of the book being dissatisfied with it. It crawls very, very slowly, and not very much actually happens. In reality, it is very expertly setting up a stunning denouement. The last few pages totally made my head spin and almost made the book worth the time I had spent reading it. However, I can't completely revise my opinion of the first 90%; it seems like a major flaw that it took the author so long to get there, or that she couldn't have made it more interesting in the meantime. I really want to recommend this book because the end is so brilliant, but I can't recommend sitting through what it takes to get there.