Towards a Theory of Montage: Sergei Eisenstein Selected Works, Volume 2

by Sergei Eisenstein

Richard Taylor (Editor) and Michael Glenny (Translator)

0 ratings • 0 reviews • 0 shelved
Book cover for Towards a Theory of Montage

Bookhype may earn a small commission from qualifying purchases. Full disclosure.

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein's thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.
  • ISBN10 1848853564
  • ISBN13 9781848853560
  • Publish Date 30 June 2010
  • Publish Status Active
  • Out of Print 4 March 2021
  • Publish Country GB
  • Publisher Bloomsbury Publishing PLC
  • Imprint I.B. Tauris
  • Edition Annotated edition
  • Format Paperback
  • Pages 448
  • Language English