Woza Shakespeare: Titus Andronicus in South Africa (Biography and Autobiography)

by Antony Sher and Gregory Doran

"A fascinating account of the trials and tribulations behind what turned into a triumphant South African production of Shakespeare's bloodiest tragedy, Titus Andronicus" (Independent) "Shakespeare in Tarantino mode" is how actor Antony Sher and director Gregory Doran describe Titus Andronicus, one of the most violent plays ever written. They decided to mount a production at the celebrated Market Theatre in Johannesburg with a top South African multi-racial cast. This is an account of their extraordinary journey: from the historic first visit of the Royal National Theatre Studio to South Africa in 1994, to the rehearsals and controversial opening of Titus at the Market, and the acclaim that greeted its subsequent performances in London, Leeds and Spain. This is not only a fascinating insight into how a director and actor approach a classic play, it is also a portrait of theatre in South Africa, emerging from the dark ages of apartheid, and a moving and often funny account of Antony Sher's professional debut in his homeland.

• ISBN10: 1408115255
• ISBN13: 9781408115251
• Publish Date: 1 January 2009 (first published 2 October 1997)
• Publish Status: Out of Print
• Out of Print: 5 April 2013
• Publish Country: GB
• Publisher: Bloomsbury Publishing PLC
• Imprint: Methuen Drama
• Format: eBook
• Language: English

Reviews

[brokentune]

This was fascinating.

Obviously, this is, as the title suggests, about how Greg Doran and Tony Sher put on a production of Titus Andronicus in the new South Africa in 1994, but it is about so much more, too.

The authors jump from topic to topic but instead of feeling disjointed, the jumping around makes total sense, and some of the asides really make me laugh.
It's not the jokes that keep me reading, tho. It's the insights to how they approach interpreting play(s), how they find relevance in the context of current affairs, how they teach, direct, and interact with the other cast members.

It was pretty fab. And I haven't even touched on the way that they give a picture of South Africa past and present (in 1994) that seems very realistic.

Woza Shakespeare! won't make me love Titus Andronicus, or even like the play, not even a little bit, but I love reading about how Greg, Tony, and the rest of the cast are approaching the play and interpreting the characters. I don't have to agree with everything - I don't have to agree with anything in their approach but even thinking about their different view is eye-opening.

It is such a great example of how when plays - or poetry, or any work of literature, art, music - are taught in a classroom setting, it should encourage people to seek out different performances, adaptations, etc.