European painting has long aspired to hold a mirror to nature -- and in so doing has taken up the challenge of representing the effects of light on reflective surfaces. In this beautiful book, Jonathan Miller investigates the pictorial representation of sheen, shine, glimmer, and gleam through a wonderfully varied selection of paintings and photographs drawn from the National Gallery, London, and other international collections.Miller describes our perceptual opacity to recognize real-life mirrors as well as those in pictures, a complex psychological process of which we are usually unaware. He also traces the ambivalent imagery of mirrors from neutral aids to representing the self, as in Rembrandt's Self Portrait or Velazquez' Rokeby Venus, through metaphors of either virtues or vices in allegorical paintings -- such as Le Tournier's Allegory of Justice and Vanity and Otto Dix's Woman Before a Mirror. The extent to which a surface reflects a recognizable image varies enormously, and Miller investigates the full range, from the diffuse sheen of polished leather or burnished copper to the representational realism of silvered glass. He shows that the depiction of such variously reflective surfaces has challenged the virtuosity of artists as diverse as Rembrant and Rockwell for more than two thousand years.
- ISBN10 1857092368
- ISBN13 9781857092363
- Publish Date 10 September 1998 (first published 1 September 1998)
- Publish Status Out of Print
- Out of Print 24 July 2001
- Publish Country GB
- Imprint National Gallery Company Ltd
- Format Hardcover
- Pages 224
- Language English