Big Lies in a Small Town

by Diane Chamberlain

A decades-old disappearance, and a quest to find the truth . . .

From the bestselling author Diane Chamberlain, Big Lies in a Small Town is an emotional novel about two women connected by a painting that holds many dark secrets.

'Excellent' – Jodi Picoult, author of Small Great Things

North Carolina, 2018: Morgan Christopher’s life has been derailed. Taking the fall for a crime she did not commit, she finds herself serving a three-year stint in the North Carolina Women’s Correctional Centre. Her dream of a career in the arts is put on hold – until a mysterious visitor makes her an offer that will see her released immediately. Her assignment: restore an old post office mural in a sleepy southern town. What she finds under the layers of grime is a painting that tells the story of madness, violence and a conspiracy of small-town secrets.

North Carolina, 1940: Anna Dale, an artist from New Jersey, wins a national contest to paint a mural for the post office in Edenton, North Carolina. Alone in the world and desperate for work, she accepts. But what she doesn’t expect is to find herself immersed in a town where prejudices run deep, where people are hiding secrets behind closed doors and where the price for being different might just end in murder.

What happened to Anna Dale? Are the clues hidden in the decrepit mural? Can Morgan overcome her own demons to discover what exists beneath the layers of lies?

‘Fans of Jodi Picoult’s style will love how Diane Chamberlain writes’ – Candis

From the author of The Last House on the Street.

• ISBN10: 1509808647
• ISBN13: 9781509808649
• Publish Date: 6 August 2020 (first published 9 January 2020)
• Publish Status: Active
• Publish Country: GB
• Publisher: Pan Macmillan
• Imprint: Pan Books
• Format: Paperback (B-Format (198x129 mm))
• Pages: 496
• Language: English

Reviews

[Jeff Sexton]

Solid Tale Solidly Told. This is a solid story of two women and two timelines. In 2018, a young lady is released from prison on parole on the condition that she restore a mural from the 1940s. In the 1940s, another young woman is painting this mural. The present day timeline is told in first person and the past timeline is told in third, which makes it easy to pick up and know which period you're in. I personally suffered some family tragedy and what felt like a pretty significant reading slump while reading this book, but I managed to get through it and finish the book within the month. And let me be clear, I do not feel that this book itself had anything to do with the slump, it really is a solid tale with an interesting curve at the end. Very much recommended.

[kimbacaffeinate]

I love slipping into one of Chamberlain’s books. I never really know what interesting tidbits I will discover, nor the characters I will meet. I was concerned when I first met Morgan Christopher. I have this habit of not reading the blurb. Had I done so, I would have realized immediately she was in prison for a crime she didn’t commit. However, I came to like this shy artist, and I quickly became caught up in her and the work she was doing.

The second character we meet is Anna Dale, and the year is 1940. Anna hails from New Jersey and has recently lost her mother, when she learns she has won a prestigious art contest to paint a mural for the post office in Edenton, North Carolina. Wanting to do the job right, she drives to the small town and ends up staying there while she paints.

The tale that unfolds weaves back and forth as Morgan restores a painting and Anna paints one. It was captivating, atmospheric and rich in details. Chamberlain not only paints a vivid picture of the south both past and present, she shines light on social ladders, rape, racism, mental illness, and more while giving readers a mystery to chew on.

The writing had a wonderful flow and the transition from past to present was seamless. Although admittedly I found myself compelled by both storylines, it was Anna’s that was gripping and had me on edge. In the end, the timelines came together, and rewards the reader with answers to lingering questions and a fitting ending. This review was originally posted at Caffeinated Reviewer

[chymerra]

When I was approached to review Big Lies in a Small Town, I was a little hesitant to read it. I knew from reading the blurb that this was going to be a dual plotline book, which I am not a fan of. I also knew, from reading the book, that this was going to be an emotional read. I have to be in a certain mood to read a book that I knew was going to make me cry. I ended up accepting the review because I was curious. I wanted to know how the mural and Morgan were tied together.

Big Lies in a Small Town had two fast moving plotlines. I didn’t have an issue with following either plotline. What I liked, and what made the book enjoyable for me to read, was that the flow of the book wasn’t disturbed when going from 1940 and 2018. The author clearly marked those chapters with the names of Morgan or Anna at the beginning.

I had a hard time connecting with Morgan. Her attitude at the beginning wasn’t the best. But as the author got into her backstory, I understood why she acted that way. By the end of the book, I loved her. She was committed 100% to finding out what happened to Anna and to refinishing the mural. I liked that she was able to keep her head on straight during certain situations (the bar fight was one) and that she was able to admit that she had major issues. Her character grew so much during this book and it was wonderful to read.

I didn’t feel the same way about Anna. I liked Anna right from the beginning. She was determined to paint that mural the way she wanted it, not the way the influential men wanted it. I loved that she didn’t care if her friendship with Jesse was causing issues with the “good folk” in town. I also loved that she didn’t back down when Marvin Drapple’s wife and her friends were douchenozzles.

I do want to throw in a trigger warning. There is a somewhat graphic rape scene that ends with the death of the rapist. To be honest, it took me by surprise. I was not expecting it. I wasn’t expecting the aftermath either. What I was expecting was the blatant racism shown when it was in the 1940’s. It was the South. There were derogatory names used. There was the threat of violence (lynching was discussed). So, a warning.

There are a couple of twists in the plotline that took me by surprise. The first one involved Morgan and her release from jail. The other, well, it happened at the end of the book. I should have seen it coming but I didn’t. So, I was taken by surprise.

There was a romance angle to the book. I’m not sure if I like it or not. The only reason being what was happening in the other plotline. Both started about that time.

I learned more about art restoration than I ever wanted to know. I will admit, it was fascinating to read about how to do it. I never thought that much work went into restoring old paintings. But then again, until this book, I never had to think about that.

The end of Big Lies in a Small Town was bittersweet. The 2nd plot twist happened towards the very end of the book. Like I said above, I was taken by surprise. I shouldn’t have been. The very end of the book was a bit frustrating. Only because it ended and I wanted to see that meeting!!