Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.
From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
- ISBN10 1501345753
- ISBN13 9781501345753
- Publish Date 10 December 2020
- Publish Status Active
- Publish Country US
- Publisher Bloomsbury Publishing Plc
- Imprint Bloomsbury Academic USA
- Format Paperback
- Pages 200
- Language English