Opera Indigene: Re/presenting First Nations and Indigenous Cultures (Ashgate Interdisciplinary Studies in Opera)

Dr. Pamela Karantonis (Editor), Dr. Dylan Robinson (Editor), Wu Dingming, and Professor Roberta Montemorra Marvin

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Book cover for Opera Indigene: Re/presenting First Nations and Indigenous Cultures

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The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices.

This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.

  • ISBN13 9781409494249
  • Publish Date 28 January 2013 (first published 28 March 2011)
  • Publish Status Active
  • Publish Country GB
  • Publisher Taylor & Francis Ltd
  • Imprint Ashgate Publishing Limited
  • Edition New edition
  • Format eBook
  • Pages 386
  • Language English