This is the first book to explore the influence of Japanese art on Aubrey Beardsley's work. Placing Japanese woodblock prints in the English and French cultural milieu of the last third of the Victorian era, Professor Zatlin examines Beardsley's technical and thematic adaptions of Japanese art. She shows how Japanese art enabled Beardsley to create his striking and personal style - one which permanently changed book illustration on three continents. This study is simultaneously a history of the British and French reception of Japanese art, and an examination of the ways Beardsley subverted both Victorian notions of the grotesque and male habits of viewing women. Establishing many of his sources, this book traces Beardsley's revelation of the tensions between the concepts of vice and virtue in a combination of opposites which disconcerted and threatened many viewers of the 1890s.
- ISBN13 9780521581646
- Publish Date 11 December 1997
- Publish Status Inactive
- Out of Print 19 July 2001
- Publish Country GB
- Imprint Cambridge University Press
- Format Hardcover
- Pages 318
- Language English