Since his early work was first embraced by Alfred Stieglitz, John Marin (1870–1953) has been recognized as one of America's foremost watercolorists. During the last two decades of Marin's career, however, oil painting played a greater role in his studio practice. Marin's engagement with oil was liberating, eventually yielding a more fluid, linear, and calligraphic style.
This beautiful publication is the first to focus exclusively on Marin's output from the 1930s through the early 1950s, a corpus of nearly seventy works, which has been generally overlooked in art historical literature. Debra Bricker Balken resituates these works within the discourses of midcentury modernism, convincingly arguing that critics—such as Clement Greenberg—saw them as important precursors to Abstract Expressionism, influencing such artists as Willem de Kooning and Jackson Pollock. Marin's painted abstractions of the Maine coast and Manhattan architecture were singled out for their invention, singularity, and authority, and forecast the new language of Abstract Expressionism.
Published in association with the Addison Gallery of American Art and the Portland Museum of Art, Maine
Exhibition Schedule:Portland Museum of Art, Maine(06/23/11 - 10/09/11)
Amon Carter Museum(11/04/11 - 01/08/12)
Addison Gallery of American Art(01/27/12 - 04/01/12)
- ISBN10 030014993X
- ISBN13 9780300149937
- Publish Date 23 June 2011
- Publish Status Out of Print
- Out of Print 20 May 2024
- Publish Country US
- Imprint Yale University Press
- Format Hardcover
- Pages 120
- Language English